28. "Wolf Hall," by Hilary Mantel, pp. 475-532

Part V, II, "The Map of Christendom," 1534-1535. III, "To Wolf Hall," July 1535.

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The closer I get to the end of a book, the faster I read....

Henry holds out the possibility of Lord Chancellor to Cromwell, but for the time being he takes the post of Master of the Rolls. The Master's house is ancient, built 300 years earlier "as a refuge for Jews who wished to convert." There he builds "a treasure room, a repository secure for any gold plate the king entrusts to him; whatever he deposits can quickly be turned into ready money." He is unsure about leaving Austin Friars, but he does so. He thinks about his properties and concludes, "All this is small stuff. It's nothing to what he intends to have, or to what Henry will owe him."

He is a good friend and master; this is said of him everywhere. Otherwise, it is the usual abuse. His father was a blacksmith, a crooked brewer, he was an Irishman, he was a criminal, he was a Jew, and he himself was just a wool-trader, he was a shearsman, and now he is a sorcerer: how else but by being a sorcerer would he get the reins of power in his hand?

A treaty has been made with the Scots, but now the Irish are rebelling.

Richard Cromwell "has proved a formidable man in the lists. It is more or less as Christophe says: biff, and they are flat.... He carries the Cromwell colors, and the king loves him for it, as he loves any man with flair and courage and physical strength."

"Thomas More is losing weight, a wiry little man emerging from what was never a superfluity of flesh."

More is now required to swear to the Act of Supremacy, an act which draws together all the powers and dignities assumed by the king in the last two years. It doesn't, as some say, make the king head of the church. It states that he is head of the church, and always has been.... It will be a treasonable offense to deny Henry's titles or jurisdiction, to speak or write maliciously against him, to call him a heretic or a schismatic.

More remarks that the "sweating sickness" has broken out among the troops in Ireland. Cromwell doesn't tell him that plague has, too, "or that the whole Irish campaign is a debacle and a money sink and that he wishes he had done as Richard said and gone out there himself." More asks about Tyndale, who is in hiding because on the continent "printers are branded and have their eyes put out, and brothers and sisters are killed for their faith, the men beheaded, the women buried alive." Cromwell urges More to take the oath.

"An idea has been floated that the infant Elizabeth should marry a son of France; the Boleyns really think this is going to happen." Anne is furious because she has learned that Mary Boleyn is pregnant and suspects that the king may be the father. Thomas Boleyn says, "She claims the child's father is William Stafford, and she has married him." Henry asks him, "My lord Wiltshire, can you not control either of your daughters?" Anne says that Mary "will sail about the court with her great belly, and pity me and laugh at me, because I have lost my own child."

Cromwell looks in on Mary, who is packing to move. Jane Seymour and Mark Smeaton are helping her. Jane Rochford is gloating, and says that her husband, George Boleyn, "will be sensible, as I am, that you have disgraced all your kin." Mary says that Anne holds on to the king with "whore's tricks" that don't "conduce to getting a child.... Seven years she schemed to be queen, and God protect us from answered prayers."

Cromwell's attraction to Jane Seymour continues. He feels restrained by his dead wife: "Liz, he thinks, take your dead hand off me. Do you grudge me this one little girl, so small, so thin, so plain?" With Mary leaving, Jane is returning to Wolf Hall.

Hans Holbein tells Cromwell, "The wives of England, they all keep secret books of whom they are going to have next when they have poisoned their husbands. And you are at the top of everyone's list."

Alice More comes to see Cromwell. She says, "my husband used to say, lock Cromwell in a deep dungeon in the morning, and when you come back that night he'll be sitting on a plush cushion eating lark's tongues and all the jailers will owe him money." She resents that More doesn't write to her but to her stepdaughter, Meg.

Henry gives Cromwell a new title: Vicegerent in Spirituals, "his deputy in church affairs."

Chapuys tells him, "There are rumors that La Ana is distraught. That Henry is looking at another lady." Cromwell reflects, "The fate of peoples is made like this, two men in small rooms."

Cromwell falls ill. When asked if he wants to confess, he's told that he should "or you will be thought a sectary." After a week, Christophe says, "they say le roi Henri is groaning as if he were in pain himself: oh, where is Cremuel?" The king comes to see him, awing the household. "Henry stretches out his arms and displays himself before the company: 'Forty-five in July.'"  Cromwell "notes the incredulous hush. It does the job. Henry is gratified." When Henry says he fears being invaded by the Emperor with Katherine on the Emperor's side, Cromwell says, "If that happens, ... I will be out of this chair and take the field, my own sword in my hand." After Henry leaves, Johane says,

"Henry is frightened of you."

He shakes his head. Who frightens the Lion of England?

"Yes, I swear to you. You should have seen his face, when you said you would take your sword in your hand."

Four monks are being executed: hanged, drawn and quartered, "the most horrible of all deaths." Henry asks Richmond, his illegitimate son, to attend. Richmond comes to Cromwell to ask him to take his place. Cromwell advises, "If you plead sickness, or fall off your horse tomorrow or vomit in front of your father-in-law, he'll never let you forget it.... Keep your eyes on the duke, and pattern your conduct on his." But Norfolk comes to Cromwell afterward claiming that one of the monks said "Jesus save us, poor Englishmen" after his heart was out.  Cromwell says this is impossible and that he knows so from experience. "The duke quails. Let him think it, that his past deeds have included the pulling out of hearts. 'I dare say you're right.' Norfolk crosses himself. 'It must have been a voice from the crowd.'"

Before the execution, Cromwell signed a pass for Margaret Roper to see her father, More. He tells More, "the men who died yesterday had followed your example, and refused to swear."

The pope elevates Fisher to cardinal. "Henry is enraged. He swears he will send Fisher's head across the sea to meet his hat."

Cromwell, Norfolk, Charles Brandon, Richard Riche and Audley go to see More in the Tower. More says he has heard that Tyndale has been arrested. Cromwell thinks, "Someone tempted him out of his have, and More knows who." More says, "The Emperor will burn him. And the king will not lift a finger to save him, because Tyndale would not support his new marriage." Cromwell says that when More accused men of being heretics and they would not talk, he tortured them. "If they were made to answer, why not you?" More does not recognize the law that would compel him to swear the oath. Brandon suggests that the king may not commute More's sentence to beheading from the more cruel method the monks suffered. "More quails; he curls up his fingers on the tabletop." Cromwell "notices this, detached. So that's a way in. Put him in fear of the more lingering death. Even as he thinks it, he knows he will not do it; the notion is contaminating." Cromwell threatens to take away More's books.

Anne Boleyn thinks that More's resistance is all about her: "he will not bend his knee to my queenship." Cromwell observes that Henry and Anne "are not the same couple from day to day: sometimes doting, sometimes chilly and distanced. The billing and cooing, on the whole, is the more painful to watch." When he says that putting More on trial will not be easy, Henry retorts,

"Do I retain you for what is easy? Jesus pity my simplicity, I have promoted you to a place in this kingdom that no one, no one of your breeding has ever held in the whole of the history of this realm.... I keep you, Master Cromwell, because you are as cunning as a bag of serpents. But do not be a viper in my bosom. You know my decision. Execute it."

When Riche reports that the books were taken away from More, who closed the blinds to his cell, Cromwell "can hardly bear it, to think of More sitting in the dark."

Cromwell visits More on the evening before Fisher's execution. He urges More to throw himself on the king's mercy, asserting that he is "not a cruel man." More replies, "He used not to be. He had a sweet disposition. But then he changed the company he kept." Cromwell notes the difference between them: More's mind is "fixed on the next world" with "no prospect of improving this one." It's the medieval man vs. the modern man. When he leaves, More has broken down at the prospect of being drawn and quartered. "Let me be killed cleanly. I ask nothing, but I ask that."

The night before the trial, Cromwell is visited by Dick Purser, "the boy whom More had whipped before the household at Chelsea, for saying the host was a piece of bread." Purser weeps, "in shame, in relief, in triumph that soon he will have outlived his tormentor."

At the trial, More shows contempt for Richard Riche, whom he calls "a gamer and a dicer, of no commendable fame even in your own house." It goes against him with the jury: "But are not drinking, dice and fighting more natural in a young man, on the whole, than fasting, beads and self-flagellation?" After More's conviction, Cromwell reflects on More's refusal to take the oath: 

It was loud with his treason; it was quibbling as far as quibbles would serve him, it was demurs and cavils, suave ambiguities. It was fear of plain words, or the assertion that plain words pervert themselves; More's dictionary, against our dictionary. You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts. 

The novel ends with Cromwell and Rafe going to Wolf Hall to visit the Seymours.

25. "Wolf Hall," by Hilary Mantel, pp. 409-432

Part V, II, "Devil's Spit," Autumn and Winter 1533, concluded, from "Sunday: in rose-tinted light they set out from Austin Friars...." Part V, III, "A Painter's Eye," 1534

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Elizabeth Barton confesses that she made up all her prophecies. "Something has broken inside her, and he wonders what that thing is." Cromwell reflects, "She has ruined many, if we care to press for their ruin. Fisher, certainly, Margaret Pole perhaps, Gertrude and her husband for sure. Lady Mary, the king's daughter, quite possibly. Thomas More no, Katherine no, but a fat haul of Franciscans."

Charles Brandon has remarried, a girl of fourteen who "was betrothed to his son, but Charles thought an experienced man like him could turn her to better use." Jane Seymour reports that her brother Edward is happy because his wife is likely to die -- the wife his father slept with.

Jane Rochford offers her services as a spy among the Boleyns, and asks Cromwell "what will you do if the queen does not have another child?" She also says that if she dies, there should be an autopsy: "I am afraid of poison. My husband and his sister are closeted together for hours, and Anne knows all manner of poisons." She suggests that he marry Jane Seymour: "The Seymours are not rich. They will sell you Jane, and be glad of the bargain." She reports that the marriage of Henry and Anne is in trouble. His leg is bothering him and he's afraid she will "kick him in the throes of her passion." And: "She says she gets no pleasure from him. And he -- as he fought seven years to get her, he can hardly admit it has staled so soon." She hints that George Boleyn is sleeping with his sister, and that Mark Smeaton is "in and out of everyone's bedchamber."

Thomas Wyatt comes to see Cromwell and asks to be sent back to Italy. He is still obsessed with Anne.

The king hasn't yet decided on what punishment should be administered to the followers of Elizabeth Barton. Brandon advises against forgiving them, but Cromwell says, "Everything they do from now on, they do under my eye." Cromwell sends Rafe to Lady Exeter to tell her to "grovel. Advise her on the wording. You know how to do it. Nothing can be too humble for Henry." On a cold day in November, "the Maid and half a dozen of her principal supporters do penance at Paul's Cross. They stand shackled and barefoot in a whipping wind." Cromwell advises More to make conciliatory movements toward Henry.

Cromwell advises Cranmer that the English "want a good authority, one they can properly obey. For centuries Rome has asked them to believe what only children could believe. Surely they will find it more natural to obey an English king, who will exercise his powers under Parliament and under God."

The Duke of Richmond, Henry's illegitimate son, marries the Duke of Norfolk's daughter Mary. "Anne has arranged this marriage for the glorification of the Howards; also to stop Henry marrying his bastard, to the boy's advantage, to some princess abroad." Anne also expels Mary Tudor from her house in Essex, giving it to her brother George. "There is a young woman walking the roads of the kingdom, saying she is the princess Mary, and that her father has turned her out to beg. She has been seen as far north as York and as far east as Lincoln, and simple people in these shires are lodging and feeding her and giving her money to see her on her way."

Hans Holbein has painted Cromwell's portrait. Chapuys says, "Looking at that, one be loath to cross you." Viewing the painting with his son, Gregory, Cromwell says,

"I fear Mark was right."

"Who is Mark?"

"A silly little boy who runs after George Boleyn. I once heard him say I looked like a murderer." 

Gregory says, "Did you not know?"

22. "Wolf Hall," by Hilary Mantel, pp. 359-372

Part V, I, "Anna Regina," 1533, continued, from "In March, news comes from Calais that Lord Berners has died...." through "...He opens his palm; in it a needle, tip toward her."

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Visiting Anne, Cromwell sees Jane Seymour, who is obviously bullied by Lady Rochford and Anne. They talk about Katherine's plotting against Anne with the Plantagenet claimants to the throne.

With the king, he sees Chapuys, who persists in referring to "Dr. Cranmer" rather than "the archbishop" and when he mentions "Queen Katherine," the king asks, "Who? You mean my late brother's wife, the Princess of Wales?"

The king makes Cromwell chancellor of the exchequer, which was Lord Berners' post.

Cromwell decides that Helen Barre's husband is dead and resolves to "tell her she is free."

Watching the expressions of the courtiers in the presence of Anne, he thinks, "Arrange your face, Nicholas Carew, your ancient family face. He hears Anne saying, these are my enemies: he adds Carew to the list."

The king sends Cromwell to talk to Katherine about what is to happen after the dissolution of their marriage. He suggests that Cromwell leave Rafe Sadler with him: "I can rely on him to say what Cromwell would say." Then he weeps because his sister, Brandon's wife, is so ill. He is also bothered by having to declare Mary Tudor a bastard. And he decides that Richard Cromwell should not marry Mary Boleyn. Back home, Cromwell breaks the news to Richard, saying that Henry "needs Mary for himself" because "he is afraid to touch Anne" during her pregnancy. He proposes a marriage to Frances Murfyn, daughter of the Lord Mayor, instead.

He goes to see Katherine, who refers to Cranmer as a heretic, but calls the king only a schismatic. She notes that the archbishop will be excommunicated. But she also says to Cromwell, "I shall be sorry if I don't see you again. You are so much quicker in conversation than the dukes."

14. "Wolf Hall," by Hilary Mantel, pp. 235-250

Part IV, I, "Arrange Your Face," 1531, through "...because in the end we all come home to God."

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Cromwell has an audience with Katherine and Mary, in which the former tells the latter, "This is Master Cromwell. Who now writes all the laws." When Mary makes a slighting remark about Wolsey, Cromwell retorts, "will you, of your charity, cease to speak ill of a man who never did you harm?" causing Mary to blush and reply, "I did not mean to fail in charity" and to look "cowed." But Katherine is incensed that the king "would send a man like you to tell me" that they are to be banished from the court, and makes a reference to his father's having been a blacksmith.

Having completed that task, Cromwell is surprised to learn from Wriothesley that Katherine and Mary are to be sent to separate residences. And when Gregory asks if he would be involved in executing Katherine, he explains to his son that "you give way to the king's requests. You open the way to his desires. That is what a courtier does. Now, understand this: it is impossible that Henry should require me or any other person to harm the queen.... Henry's heart, I assure you, is a heart full of feeling; and Henry's soul, I swear, is the most scrutinized soul in Christendom." Later, Gregory says, "Call-Me-Risley is frightened of you.... He thinks you would do anything."

From Anne Boleyn, Cromwell learns that John Seymour has had an affair with Catherine Fillol, his son Edward's wife. And that Anne is contemptuous of Jane Seymour, calling her "Pasty-face" and saying that "no one wants Milksop, and now no one will" after the scandal caused by her father's adultery. "They could tell Boccaccio a tale, those sinners at Wolf Hall."

Thomas Hitton, "a smuggler of Tyndale's scriptures" has been burned at the stake, and someone has poisoned the guests dining with Fisher, Bishop of Rochester, who was responsible for Hitton's execution. Thomas More "has become a master in the twin arts of stretching and compressing the servants of God. When heretics are taken, he stands by at the Tower while the torture is applied." Cromwell tells Anne that Fisher's cook is to be boiled alive. "Anne's face wears no expression at all. Even a man as literate as he can find nothing there to read." She wants to know how they will do it, but Cromwell "did not ask about the mechanics."

A grocer named John Petyt has been arrested on suspicion of heresy, and his wife Lucy comes to see Cromwell to see if he can help. He is unable to get either Anne or the king interested in the matter. He also corresponds secretly with Tyndale, who wants to come home, but "Tyndale will not come out in favor of Henry's divorce; nor, for that matter, will the monk Luther. You'd think they'd sacrifice a fine point of principle, to make a friend of the King of England: but no." Cromwell reflects that "More, Tyndale, they deserve each other, these mules that pass for men."  

11. "Wolf Hall," by Hilary Mantel, pp. 182-202

Part III, II, "Entirely Beloved Cromwell," Spring-December 1530, continued, from "When the king next calls him to court...." through "...Did he tell you about the barmaid?"

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Cromwell unexpectedly "spends an amiable hour with Brandon" who, after Cromwell suggests a remedy for the blindness of one of the king's hounds, pronounces him "a useful sort of man." He also confides that there is tension with his wife because of Anne Boleyn: Brandon's wife has always been a friend of Katherine's and as a former Queen of France, she resents that "Norfolk's niece" (Anne) will have precedence over her at court. He also wonders if he should tell Henry that Anne and Thomas Wyatt have been lovers. Cromwell advises him not to.

At Austin Friars the household now includes Thomas Avery, who is being trained to handle Cromwell's personal finances, and Thomas Wriothesley "pronounced Risley," whom Richard Cromwell and Rafe Sadler accuse of being a spy for Stephen Gardiner. Cromwell thinks about one of the young women at Anne Boleyn's: "He had meant to write to Gregory and say, I have seen such a sweet girl, I will find out who she is and, if I steer our family adroitly in the next few years, perhaps you can marry her."

Cromwell is invited to Thomas More's to discuss what is to happen with Wolsey's colleges -- and to see his roses and his new carpet. Stephen Gardiner is there. Cromwell meets More's large household, including his fool, Henry Pattinson: "normally you take in a fool to protect him, but in Pattinson's case it's the rest of the world needs protection." Cromwell displays his expertise in examining More's new carpet, and also displays some of his character: "There are some people in this world who like everything squared up and precise, and there are those who will allow some drift at the margins. He is both these kinds of person. He would not allow, for example, a careless ambiguity in a lease, but instinct tells him that sometimes a contract need not be drawn too tight." When More asks if he should walk on the carpet or hang it on the wall, Cromwell chooses the latter.

The dinner conversation at More's is in Latin, although More's wife doesn't speak it. Cromwell reflects on the difference between the family as painted by Holbein and the one he sees here: "The painter has grouped them so skillfully that there's no space between the figures for anyone new. The outsider can only soak himself into the scene, as an unintended blot or stain; certainly, he thinks, Gardiner is a blot or stain." He also thinks of Holbein's portrait of More, "you can see that he's thinking, but not what he's thinking, and that's the way it should be."

As he leaves, Alice More asks why Cromwell doesn't marry again: "Got a good house, haven't you? Got the king's ear, my husband says. And from what my sisters in the city say, got everything in good working order." He walks with Gardiner, who says "More goes to bed at nine o'clock." "With Alice?" Cromwell asks. "People say not." "You have spies in the house?" He gets no answer from Gardiner. When Gardiner talks about Cromwell's marrying again, "He feels afraid.... He is sure he and Johane have been secret." Johane Williamson, Liz's sister, and her husband live at Austin Friars. When he tells Gardiner that he is going to see Anne Boleyn, "Gardiner is affronted."

When he tells Anne that he has been to More's, she says, "They say that Thomas More is in love with his own daughter." He replies, "I think they may be right." He reflects that Anne's brother, George, and her father, Thomas, Earl of Wiltshire, have gotten rich because of Wolsey's fall. When he asks why she sent for him, Anne replies, "We like to know where you are." And when he asks why her father or brother didn't send for him in that case, she says, "They do not think you would come."

In the cardinal's move northward, he has been greeted with enthusiastic crowds, which upsets the Duke of Norfolk. "Rumors of the cardinal's popularity don't make him glad, they make him afraid." But Norfolk commends Cromwell for his loyalty to the cardinal and says, "It's a pity you don't work for me." Cromwell replies, "we all want the same thing. For your niece to be queen. Can we not work together?"

On the next visit to Anne, he sees that "something shadowy is bobbing about, on the fringes of the circle of light." It is Thomas Cranmer. "They embrace cautiously: Cambridge scholar, person from Putney."  Anne shows them a drawing she discovered in her bed: the king and two women, one of whom has no head. "Anne sans tête," she says. Cromwell wishes he could get Mary Boleyn out of all this. "She asked me once. I failed her. If she asked me again, I would fail her again."

On the way out with Cranmer, he meets the pale girl he had noticed before and learns that she is "John Seymour's daughter. From Wolf Hall." She is there to spy for her brothers. "Every rising family needs information. With the king considering himself a bachelor, any little girl can hold the key to the future, and not all the money is on Anne." He has a suspicion that she may have been the one who left the drawing in Anne's bed. As he leaves, Cranmer says, "You owe much to Anne Boleyn. More than perhaps you think. She has formed a good opinion of you. I'm not sure she cares to be your sister-in-law, mind..."