18. Lost Illusions, by Honoré de Balzac, pp. 463-476

Part Two: A Great Man in Embryo, 39. Skulduggery; 40. Farewells

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Coralie takes a minor role in a play and succeeds, which leads the theater manager, who has learned about the plot against Coralie, to offer her a role in a new play by Camille Maupin (Mademoiselle des Touches' nom de plume). But Lucien is seriously wounded in his duel with Michel Chrestien, and recuperation takes four months. Meanwhile, Fendant and Cavalier go broke, and Lucien's book is relegated to the second-hand bookshops where it receives no notice and few sales. Even the one favorable review of the book, by Martainville, does more harm than good, by turning the leftist papers more firmly against Lucien. The bankruptcy of Fendant and Cavalier also makes the notes held by Camusot worthless, so he files suit against Lucien. This time Coralie saves Lucien, but by making some deal with Camusot that she remains silent about.

Coralie is having a great success in Camille Maupin's play, but just as Lucien is finally recovering from his wound, she falls ill, and her role is taken over by Florine. Lucien is not yet well enough to work so he spends his time alternating with Bérénice in nursing Coraline. The household falls into dire poverty, although they have a kind physician in Bianchon -- the Cénacle having become reconciled with Lucien after learning that he had shown d'Arthez his review and that d'Arthez had collaborated in rewriting it before it was published.

Lucien is forced to go to Lousteau to ask for the thousand francs he is owed, but Lousteau is not much better off -- he is being sued for debt. Finally, Lucien resorts to forgery: he drafts three notes with a facsimile of David Séchard's signature for a thousand francs, and endorses them. A paper-merchant accepts them, so Lucien pays off his debts and Coralie's and gives the remaining three hundred francs to Bérénice, telling her not to let him have them, no matter how much he begs, because he's afraid he'll go lose them at gambling. Lucien returns to writing, but meets with no success. A publisher tells him he's lost his gift. And he's sued because of the forged bills, forcing him to go to Camusot for aid. Camusot directs him to a barrister named Desroches, who is a friend of Bixiou, Blondet and Des Lupeaulx.

Coralie dies, and Lucien has no money to bury her. He writes to Mademoiselle des Touches "one of those appalling letters in which men once elegant, but now reduced to beggary, throw their self-respect to the winds." And he goes to Barbet who agrees to pay him two hundred francs if he'll write some drinking songs for a collection of ribald verses he's putting together. He returns to the flat, where Bérénice is sewing a shroud for Coralie's body, and tells her "to go to the undertaker's and order a funeral costing no more than two hundred francs, inclusive of a service at the mean little church of Bonne-Nouvelle." And he sits down beside Coralie's body and writes ten songs "to be sung at smoking-parties." D'Arthez and Bianchon arrive just as he is finishing and are touched by

The sight of this beautiful corpse smiling on eternity, her lover paying for her funeral with indecent rhymes, Barbet paying for her coffin, the four tapers round an actress whose basque skirt and red stockings with green clocks had once put a whole auditorium into a flutter of excitement, and, at the door, the priest who had brought her back to God returning to the church to say mass for one who had loved so much!

Then Mademoiselle des Touches arrives and gives Lucien two thousand francs. And she joins the others at Coralie's funeral mass, after which the men go with the body to Père-Lachaise cemetery, where

Camusot, weeping hot tears, solemnly swore to Lucien that he would buy the burial plot in perpetuity and erect a tombstone with the inscription: CORALIE, and underneath this: Died August 1822, aged nineteen. 

The money from Mademoiselle des Touches settles all of Lucien's debts, but although he has decided to return to Angoulême, he has nothing left to pay for the journey. He contemplates suicide, but when he asks Bérénice for Coralie's scarf, she realizes that he intends to hang himself. She tells him to go for a walk and return at midnight, "But stay in the boulevards and keep away from the riverside." During the walk, he resolves not to give up until he has gone home and tried to make amends to David and his family. But when he sees Bérénice on the street, dressed in her best clothes, talking to a man, he realizes that she is prostituting herself to make money. She gives him twenty francs and quickly disappears.

Be it said in his favour, this money burned his fingers and he wanted to return it. But he was forced to keep it as the last stigma with which life in Paris was branding him.

14. Lost Illusions, by Honoré de Balzac, pp. 396-408

Part Two: A Great Man in Embryo, 31. Polite society

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Lucien's appearance, in the new finery selected for him by Coralie, at the salon of Madame de Montcornet arouses "a kind of repressed envy among the young men present, those who reigned supreme in the realm of fashion, including De Marsay. And both the Comtesse de Montcornet and Madame d'Espard "had Lucien between them and overwhelmed him with coquettish attentions." The latter informs him that Madame de Bargeton's husband has died, and she defends her cousin's dumping of Lucien thus: "Do you think she wanted to become Madame Chardon?" On the other hand, "The title 'Comtesse de Rubempré' was well worth the trouble of acquiring." And she dangles before him the possibility of become Comte de Rubempré.

Lucien no longer knew what to think. Initiated as he was in the perfidies of journalism, he knew nothing of those of society. And so, despite his perspicacity, he was due for some hard lessons. 

She tells him that Châtelet hasn't been as hurt by the Heron and Cuttle-bone satires as he thought -- the articles may even have done him some benefit with the government because "while the newspapers ridicule Châtelet, they leave the Ministry in peace." And the Comtesse wants to introduce Lucien to the "fabulously rich" Mademoiselle des Touches, who writes under the pen-name Camille Maupin. Lucien begins to realize that "There was as much difference between a woman of the style and quality of the Comtesse de Montcornet and Coralie as there was between Coralie and a woman of the streets."

Madame d'Espard continues to butter up Lucien, praising his intelligence and his ability to adapt to "Parisian manners, and claiming that Madame de Bargeton had all along "wanted to obtain from the King an ordinance which would allow you to bear the name and title de Rubempré. She wanted to bury the Chardon." She points out a man named Des Lupeaulx, whose family name was originally Chardin, but who now is in line to become the Comte de Lupeaulx. All Lucien needs to do is what Emile Blondet has done:  "He's got into newspaper which supports the Government: all the powers that be approve of him; he can consort with the Liberals without danger since he has orthodox opinions." But if he stays with the left and with Coralie, she says, "You'll find yourself loaded with debts and sated with pleasure in a few years' time."

But when Lucien questions if what she says is true, she takes offense, "throwing Lucien a cold and haughty look which brought him down to earth again." The Comtesse, however, remains cordial and invites him to her next soirée, which Madame de Bargeton will attend.

When they leave the table, he is joined by Rastignac and Blondet. The latter tells Rastignac that Lucien has fallen in with Lousteau, whom he regards as stupid and mercenary. "As a Rubempré, Lucien is bound to have aristocratic leanings; as a journalist, he is bound to side with the Government, otherwise he'll never either be Rubempré or come to be a secretary-general." When Lucien tells them that he doesn't play whist, Rastignac offers to teach him. He also talks to Des Lupeaulx, whom he had met earlier at Madame du Val-Noble's, and reflects on how well he is getting along in society. But after he leaves, the others talk about him:

"What a fatuous man!" said Des Lupeaulx to the Marquise, when Lucien had taken his leave of her.
"He'll go rotten before he's ripe," de Marsay said to the Marquise with a smile. "You must have hidden reasons for turning his head like this." 

Coralie has come to wait for him, and she joins in the chorus urging him to go over to the government's side: "You can make yourself useful, become a peer of France and marry a rich woman." She tells him that a new royalist newspaper is being started, and urges him to join up with it, "but say nothing to Etienne or his friends -- they're quite capable of playing a nasty trick on you."

A week later, he goes to Madame de Montcornet's and sees Madame de Bargeton again. "She had become more what she would always have been if she had not lived in the provinces: a great lady." And he finds himself torn between "the beautiful, loving and voluptuous Coralie and the dry, haughty and cruel Louise." But he chooses the former, to Madame de Bargeton's anger. He does, however, contemplate a "quick romance" with the rich and beautiful Mademoiselle des Touches.

He then joins Madame de Bargeton and Madame d'Espard to talk about the ordinance which would make him a de Rubempré. The Marquise says that he must "put himself in a position to be protected without embarrassing those who protect him." He agrees to do so.

Thrilled by the glamour of aristocracy, the poet felt unspeakable mortification at hearing himself called Chardon when he saw that the salons only admitted men who bore high-sounding names with titles to set them off.

And at the end, Rastignac has taught him to play whist.