15. "The Complete Plays," by Christopher Marlowe, pp. 272-340

The Jew of Malta, Acts 2-5

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Abigall retrieves Barabas's valuables from the nunnery. (When she appears on the balcony with them, we get what sounds like an allusion to Romeo and Juliet when Barabas says: "But stay, what star shines yonder in the east? / The lodestar of my life, if Abigall." But The Jew of Malta antedates Romeo, so Shakespeare would have to be alluding to Marlowe.) She throws down the bags, and Barabas rejoices, "O girl, O gold, O beauty, O my bliss!"

Ferneze is meeting with Martin del Bosco, the captain of a Spanish ship, who has captured the crew of a Turkish ship -- "Grecians, Turks, and Afric Moors." They want to sell them as slaves in Malta, but Ferneze is concerned because of their "tributary league" to the Turks. Del Bosco reassures him that the King of Spain wants to free Malta from the deal, so he says that they can keep the money they owe the Turks. Ferneze in turn agrees to let him sell the slaves.

Barabas, wealthy again, has bought a new house. He meets Ferneze's son, Lodowick, who wants to see Abigall because his friend Mathias has praised her beauty. He asks Barabas if he can sell him a diamond, and Barabas, to lure him to his house in order to kill him, agrees to sell him one. There is some double-meaning conversation between them in which Barabas is referring to Abigall as his "diamond." They stop at the slave auction and Barabas buys Ithamore, who "by my help shall do much villainy." He bids Lodowick farewell just as Mathias and his mother, Katherine, are arriving at the slave market. Mathias is suspicious that Lodowick has been talking to Barabas about Abigall.

Barabas tells Ithamore in an aside that Mathias loves Abigall "But I have sworn to frustrate both their hopes / And be revenged upon the governor." Mathias asks Barabas why he was talking to Lodowick, and Barabas reassures him, "we talked of diamonds, not of Abigall." Katherine is shocked to see her son talking to the Jew, so Mathias tells her "my talk with him was / About the borrowing of a book or two." She says, "Converse not with him, he is cast off from heaven."

When they are alone, Barabas tells Ithamore to be "void of these affections: / Compassion, love, vain hope, and heartless fear. / Be moved at nothing; see thou pity none, / But to thyself smile when the Christians moan." And he claims to "walk abroad a-nights / And kill sick people groaning under walls; / Sometimes I go about and poison wells." And he follows with a curriculum vitae that includes being a physician, an engineer, and "an usurer,"

And with extorting, cozening, forfeiting,
And tricks belonging under brokery,
I filled the gaols with bankrupts in a year,
And with young orphans planted hospiitals,
And every moon made some or other mad,
And now and then one hang himself for grief,
Pinning upon his breast a long great scroll
How I with interest tormented him. 

It's a speech full of anti-Semitic calumnies, of course, but in a play also full of double-dealing by gentiles. Ithamore tells Barabas that he has spent his time "In setting Christian villages on fire, / Chaining of eunuchs, binding galley slaves." And that once he was an ostler who cut travelers' throats. Barabas is pleased: "we are villains both."

Lodowick arrives for his diamond, and Barabas tells Abigall to flirt with him. She protests that she loves Mathias, but he insists on it and she complies. Then Mathias enters and Barabas stirs up his jealousy of Lodowick, promising that Mathias will marry Abigall. When he leaves, Barnabas tells Lodowick that Mathias has sworn to kill him and promises Abigall's hand to Lodowick. And so on until finally he has "set 'em both at enmity."

The prostitute Bellamira and her procurer, Pilia-Borza plot to steal from Barabas. Ithamore, returning from his mission to deliver messages that will cause Lodowick and Mathias to fight for Abigall, sees Bellamira and is smitten: "Now would I give a hundred of the Jew's crowns that I had such a concubine."

Mathias and Lodowick fight, and manage to kill each other. Ferneze and Katherine enter to discover their sons dead; they vow to find out who's responsible for their deaths.

Ithamore reveals to Abigall that Mathias and Lodowick are dead, and that Barabas is the one who goaded them on to fight. She resolves to return to the nunnery: "I perceive there is no love on earth, / Pity in Jews, nor piety in Turks." She sends Ithamore to bring one of the friars to her, and dismisses him when he returns with Friar Jacomo, who accepts her back into the nunnery. She vows "O Barabas, / Though thou deservest hardly at my hands, / Yet never shall these lips bewray thy life."

Barabas, however, learning that Abigall has returned to the nunnery, still fears that she'll tell what he has done. So he enlists Ithamore in a plot to take a pot of poisoned rice to the nuns who are celebrating a feast day.

Ferneze is meeting with Callapine and the Turks, whom he tells that the Maltese won't pay the tribute.Tthe Turks are, of course, outraged, and Ferneze, counting on the support of the Spanish, says, "naught is to be looked for now but wars, / And naught to us more welcome is than wars."

Friar Jacomo and Friar Barnardine meet to share the news that the nuns are all dying, including Abigall, who confesses to Barnardine what her father has done. But because "confession must not be revealed," Barnardine can't tell the authorities, or even Jacomo.

Barabas is delighted at the death of the nuns, as is Ithamore, who wants to "poison all the monks" in a nearby monastery, too." Barabas says, "Thou shalt not need, for, now the nuns are dead, / They'll die with grief" -- one of several jokes about the sexual intimacy between nuns and priests in the play. Ithamore wonders why Barabas is not grieving for Abigall, but Barabas says "I grieve because she lived so long, / An Hebrew born, and would become a Christian!" Jacomo and Barnardine enter, and Barnardine begins to chastise Barabas because of the crimes Abigall has revealed to him in her confession. Whenever Barnardine begins to denounce him, Barabas completes the sentence himself:

FRIAR BARNARDINE Thou hast committed -- 

BARABAS Fornication? But that was in another country; and besides, the wench is dead. 

(The lines were famously used as an epigraph by T.S. Eliot for the poem "Portrait of a Lady.") Suddenly, Barabas tells the friars that he wants to turn Christian and that he will give his wealth "to some religious house, / So I may be baptized and live therein." Immediately the two friars begin bidding against each other. Barabas chooses Friar Jacomo and tells him to come to his house "at one o'clock this night." Barnardine is angry, and the two friars scuffle until Barabas sends Barnardine into his house with Ithamore. After Jacomo leaves, they strangle Barnardine and prop him up in a standing position. When Jacomo returns, he attacks the corpse of Barnardine and thinks he has killed the friar. Barabas and Ithamore accuse Jacomo of murder and take him to the police.

Bellamira and Pilia-Borza have concocted a plan to lure Ithamore into conning Barabas out of his money. Pilia-Borza reports to her that he met Ithamore "looking of a friar's execution" -- i.e., Jacomo's. Bellamira proceeds to seduce Ithamore and to enlist him in the plot to extort money from Barabas by threatening to "confess all." Barabas is furious at Ithamore's betrayal, and goes to Bellamira's house disguised as a French musician. Meanwhile, the drunken Ithamore is telling Bellamira and Pilia-Borza all about the trick played on Mathias and Lodowick and the poisoning of the nuns. When Barabas arrives, he gives Bellamira a poisoned bouquet, which she also has Ithamore and Pilia-Borza smell.

Ferneze is preparing for war with the Turks when Bellamira and Pilia-Borza come to him with the news that Barabas is responsible for his son's death, the poisoning of the nuns, and the murder of Barnardine. The officers bring Barabas and Ithamore to Ferneze, who sends them to jail when Ithamore confesses. But an officer returns to report that Bellamira, Pilia-Borza, Ithamore and Barabas are all dead. Ferneze orders Barabas's body thrown "o'er the walls, / To be a prey for vultures and wild beasts."

The officers "throw down the body," according to the stage directions, and everyone exits. But Barabas has faked death with "poppy and cold mandrake juice" and is ready to take his revenge by showing the Turks how to enter the city by way of a sewer: "I'll lead five hundred soldiers through the vault, / And rise with them i'th' middle of the town." The plot works, and Calymath and the Turks take Ferneze and the Knights prisoner, and make Barabas governor. Calymath departs, proclaiming "Farewell, brave Jew, farewell great Barabas."

Barabas isn't so sure he wants to be governor:

I now am governor of Malta. True,
But Malta hates me, and, in hating me,
My life's in danger; and what boots it thee,
Poor Barabas, to be the governor,
Whenas thy life shall be at their command. 

So he turns against the Turks and presents a plot to Ferneze to blow up a building with the Turkish army inside and to set a trap for Calymath and the bashaws. Ferneze agrees to the plot. Barabas is seen with carpenters setting up something that he explains to Ferneze:

Now, as for Calymath and his consorts,
Here have I made a dainty gallery,
The floor whereof, this cable being cut,
Doth fall asunder, so that it doth sink
Into a deep pit past recovery. 

He gives Ferneze a knife to cut the rope, and in an address to the audience says,

                                                 Why, is not this 

A kingly kind of trade, to purchase towns 

By treachery and sell 'em by deceit? 

Now, tell me, worldlings, underneath the sun 

If greater falsehood ever has been done.

But Ferneze turns the tables on Barabas and warns Calymath, then cuts the rope so that Barabas falls through the trapdoor into a cauldron. Barabas calls out for help, "But now begins the extremity of heat / To pinch me with intolerable pangs. / Die, life! Fly, soul! Tongue, curse thy fill and die!" Ferneze spares Calymath's life, but tells him that his army has been "Blown up, and all thy soldiers massacred."

CALYMATH

O, monstrous treason! 

FERNEZE                  A Jew's courtesy; 

For he that did by treason work our fall, 

By treason hath delivered thee to us.

23. "Wolf Hall," by Hilary Mantel, pp. 372-395

Part V, I, "Anna Regina," 1533, concluded, from "The word is about town that Thomas More has fallen into poverty."

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Still concerned about the fate of John Frith, he goes to see More, who sends his daughter Margaret from the room, saying, "I won't have you in this devil's company." He's joking: "It is Reginald Pole, lying in Italy, who says he is a devil." They talk about Elizabeth Barton, whom More calls "an impostor. She does it for attention." Cromwell thinks, "So he does not like holy maids. But Bishop Fisher does. He has seen her often." When he asks More to come to Anne's coronation, he replies, "'You'll be company for each other, in Hell.' This is what you forget, this vehemence; his ability to make his twisted jokes, but not take them." Cromwell asks More to see the king -- "He will welcome you like a lost child" -- to make a case for Frith, "a pure soul, he is a fine scholar, so let him live." But More won't commit to doing so.

Back home, he tells Helen Barre that he's certain her husband is dead.

"So I could marry again. If anybody wanted me."

Helen's eyes rest on his face. She says nothing. Just stands. The moment seems to last a long time. 

He takes Frith to see Cranmer, and on the way gives him an opportunity to escape, which Frith doesn't take.

The coronation, of which Cromwell is in charge, takes place. Chapuys tells Cromwell, "I don't understand it, nothing do I understand in this benighted country. Is Cranmer Pope now? Or is Henry Pope? Perhaps you are Pope? My men who were among the press today say they heard few voices raised for the concubine, and plenty who called upon God to bless Katherine, the rightful queen."

The success of the coronation causes Cromwell to have fantasies of ambition: "If Henry lives twenty years, Henry who is Wolsey's creation, and then leaves this child to succeed him, I can build my own prince: to the glorification of God and the commonwealth of England. Because I will not be too old.... And I shall not be like Henry Wyatt and say, now I am retiring from affairs. Because what is there, but affairs?"

He goes to see Anne, where Jane Rochford says to her, "Make up your mind to it, madam -- they will never love you, any more than they love ... Cromwell here." He talks to Mary Boleyn about her role in the king's bed as a surrogate for Anne. "She will get another child by Henry, he thinks. Anne will have it strangled in the cradle."

Sitting with Henry and some French emissaries, Cromwell and the king talk to them about the theater of Guido [Giulio?] Camillo, who is now at the court of the French king. Henry says he is sending Stephen Gardiner to France. When one of the emissaries asks who will do Gardiner's job, Henry says "Oh, Cromwell will do it. Won't you?"

Wriothesley says to Cromwell, "you have done what the cardinal could not, and much more beside." Christophe comes with an urgent message from Cranmer. He visits the archbishop and is introduced to his pregnant wife, Margarete. Cromwell is aghast: "Do you know what the king will do to you when he finds you out? The master executioner of Paris has devised a machine, with a counterweighted beam -- shall I draw it for you? -- which when a heretic is burned dips him into the fire and lifts him out again, so that the people can see the stages of his agony. Now Henry will be wanting one. Or he will get some device to tease your head off your shoulders, over a period of forty days." In the end, he brings Helen to keep Cranmer's wife company.

Frith is executed, while Cromwell is out riding with the king. "He has taught Henry to call the Pope 'the Bishop of Rome.' To laugh when his name is mentioned. If it is uncertain laughter, it is better than the former genuflection." Cromwell laughs when he hears Katherine's response to the king's demand that she give him the robes in which Mary was christened for the birth of Anne's child. "Nature wronged Katherine, he says, in not making her a man; she would have surpassed all the heroes of antiquity."

He goes to Greenwich to prepare the rooms where Anne is to give birth. "Proclamations (undated) are prepared, to go out to the people of England and the rulers of Europe, announcing the birth of a prince. Just have a little gap, he suggests, at the end of 'prince,' so if need be you can squash in ... But they look at him as if he's a traitor, so he leaves off." On August 26, 1533, Anne goes to Greenwich.

22. "Wolf Hall," by Hilary Mantel, pp. 359-372

Part V, I, "Anna Regina," 1533, continued, from "In March, news comes from Calais that Lord Berners has died...." through "...He opens his palm; in it a needle, tip toward her."

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Visiting Anne, Cromwell sees Jane Seymour, who is obviously bullied by Lady Rochford and Anne. They talk about Katherine's plotting against Anne with the Plantagenet claimants to the throne.

With the king, he sees Chapuys, who persists in referring to "Dr. Cranmer" rather than "the archbishop" and when he mentions "Queen Katherine," the king asks, "Who? You mean my late brother's wife, the Princess of Wales?"

The king makes Cromwell chancellor of the exchequer, which was Lord Berners' post.

Cromwell decides that Helen Barre's husband is dead and resolves to "tell her she is free."

Watching the expressions of the courtiers in the presence of Anne, he thinks, "Arrange your face, Nicholas Carew, your ancient family face. He hears Anne saying, these are my enemies: he adds Carew to the list."

The king sends Cromwell to talk to Katherine about what is to happen after the dissolution of their marriage. He suggests that Cromwell leave Rafe Sadler with him: "I can rely on him to say what Cromwell would say." Then he weeps because his sister, Brandon's wife, is so ill. He is also bothered by having to declare Mary Tudor a bastard. And he decides that Richard Cromwell should not marry Mary Boleyn. Back home, Cromwell breaks the news to Richard, saying that Henry "needs Mary for himself" because "he is afraid to touch Anne" during her pregnancy. He proposes a marriage to Frances Murfyn, daughter of the Lord Mayor, instead.

He goes to see Katherine, who refers to Cranmer as a heretic, but calls the king only a schismatic. She notes that the archbishop will be excommunicated. But she also says to Cromwell, "I shall be sorry if I don't see you again. You are so much quicker in conversation than the dukes."

14. "Wolf Hall," by Hilary Mantel, pp. 235-250

Part IV, I, "Arrange Your Face," 1531, through "...because in the end we all come home to God."

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Cromwell has an audience with Katherine and Mary, in which the former tells the latter, "This is Master Cromwell. Who now writes all the laws." When Mary makes a slighting remark about Wolsey, Cromwell retorts, "will you, of your charity, cease to speak ill of a man who never did you harm?" causing Mary to blush and reply, "I did not mean to fail in charity" and to look "cowed." But Katherine is incensed that the king "would send a man like you to tell me" that they are to be banished from the court, and makes a reference to his father's having been a blacksmith.

Having completed that task, Cromwell is surprised to learn from Wriothesley that Katherine and Mary are to be sent to separate residences. And when Gregory asks if he would be involved in executing Katherine, he explains to his son that "you give way to the king's requests. You open the way to his desires. That is what a courtier does. Now, understand this: it is impossible that Henry should require me or any other person to harm the queen.... Henry's heart, I assure you, is a heart full of feeling; and Henry's soul, I swear, is the most scrutinized soul in Christendom." Later, Gregory says, "Call-Me-Risley is frightened of you.... He thinks you would do anything."

From Anne Boleyn, Cromwell learns that John Seymour has had an affair with Catherine Fillol, his son Edward's wife. And that Anne is contemptuous of Jane Seymour, calling her "Pasty-face" and saying that "no one wants Milksop, and now no one will" after the scandal caused by her father's adultery. "They could tell Boccaccio a tale, those sinners at Wolf Hall."

Thomas Hitton, "a smuggler of Tyndale's scriptures" has been burned at the stake, and someone has poisoned the guests dining with Fisher, Bishop of Rochester, who was responsible for Hitton's execution. Thomas More "has become a master in the twin arts of stretching and compressing the servants of God. When heretics are taken, he stands by at the Tower while the torture is applied." Cromwell tells Anne that Fisher's cook is to be boiled alive. "Anne's face wears no expression at all. Even a man as literate as he can find nothing there to read." She wants to know how they will do it, but Cromwell "did not ask about the mechanics."

A grocer named John Petyt has been arrested on suspicion of heresy, and his wife Lucy comes to see Cromwell to see if he can help. He is unable to get either Anne or the king interested in the matter. He also corresponds secretly with Tyndale, who wants to come home, but "Tyndale will not come out in favor of Henry's divorce; nor, for that matter, will the monk Luther. You'd think they'd sacrifice a fine point of principle, to make a friend of the King of England: but no." Cromwell reflects that "More, Tyndale, they deserve each other, these mules that pass for men."  

8. "Wolf Hall," by Hilary Mantel, pp. 116-130

Part II, II, "An Occult History of Britain," 1521-1529, concluded, from "New Year's 1529: Stephen Gardiner is in Rome...." Part II, III, "Make or Mar," All Hallows 1529.

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The illness of Pope Clement raises the possibility of Wolsey's becoming pope, which would solve both the king's problem and Wolsey's. But the pope recovers, and the "trial of the king's great matter" goes on. Wolsey seeks out witnesses to the marriage of Katherine and Arthur, hoping to prove that the marriage had been consummated, but the wedding took place 28 years ago and the potential witnesses are dead or doddering. Cromwell reflects "that he cannot imagine anyone, even a hasty fifteen-year-old, wanting to penetrate Katherine. It would be like copulation with a statue." In the end the court rules in Katherine's favor. "They all know the court will never sit again. They all know the cardinal has failed."

The plague returns with the summer, and Cromwell decides not to send his daughters to the country. "It's the wrong decision." Anne and Grace both die.

Wolsey's failure brings about his fall. "So now they swagger into York Place, the Duke of Suffolk, the Duke of Norfolk: the two great peers of the realm. Suffolk, his blond beard bristling, looks like a pig among truffles; a florid man, he remembers, turns my lord cardinal sick."

On All Hallows Day, 1529, Cromwell is overcome with grief for Liz, Anne and Grace, but also because he is certain that the fall of Wolsey means his fall, too.

7. "Wolf Hall," by Hilary Mantel, pp. 95-116

Part II, II, "An Occult History of Britain," 1521-1529, continued, from "1527: when the cardinal comes back from France..." through "... He wonders if she intends to poison him. Or eat him."

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The cardinal returns, having failed to end the king's marriage to Katherine, and learns that Henry has sent his own envoy to try to bring the divorce about. Everyone recognizes that the negotiations are doomed, even Henry, who as the younger son "was brought up and trained for the church, and for the highest offices within it," so he recognizes the problem. And both the cardinal and Cromwell begin to sense that Wolsey's power is beginning to decline.

In spring 1528, Cromwell and More meet in a scene that further emphasizes their differences. More "is genial, always genial; his shirt collar is grubby." He is also intensely set against Luther and in the scatological language More has used in his pamphlets against him, "No one has rendered the Latin tongue more obscene." More is also on the hunt for Tyndale, and Cromwell turns the tables on him by asking "Have you found sedition in Tyndale's writing?" which implies that More is familiar with them. Cromwell reflects that "More would have been a priest, but human flesh called to him with its inconvenient demands. He did not want to be a bad  priest, so he became a husband."

Meanwhile, Wolsey tips off Cromwell, in slyly indirect fashion, that a friend of Tyndale's, Humphrey Monmouth, is under suspicion. But "When Monmouth's house is raided, it is clear of all suspect writings. It's almost as if he was forewarned." Cromwell knows that "Monmouth himself would be a heap of ashes, if Thomas More had his way."

Cromwell's daughter Anne is "not like a flower, a nightingale; she's like ... like a merchant adventurer, he thinks." When the plague comes back in the summer, he sends her and Grace to the country. "This time the court is infected" and Anne Boleyn is also sent to the country, but falls ill, as does her father. They survive but Mary Boleyn's husband dies. Wolsey says to Cromwell, "I am praying for everybody.... Only when I say to the Lord, 'Now, about Thomas Cromwell--' does God say to me, 'Wolsey, what have I told you? Don't you know when to give up?'"

Cromwell learns that two Oxford scholars, Clerke and Sumner, who had been imprisoned for possessing Lutheran books, have died there, "in the college cellars, the deep cold cellars intended for storing fish. Even in that silent place, secret, icy, the summer plague sought them out. They died in the dark and without a priest." Wolsey is also distressed to learn of their deaths, but when Cromwell pleads for the release of another critic of the church, Father Bilney, to be released from the Tower, the cardinal is reluctant. "Heresy -- his brush with it -- is a little indulgence that the cardinal allows him."

One thing that Cromwell doesn't tell Wolsey about is Mary Boleyn's flirtation with him. He meets her one day and learns from her that the king has been writing love letters to Anne. He urges Mary to steal them for him. She also talks about her own son named Henry, and says that Anne forbade the king from acknowledging him, as he has done with his other illegitimate son. "He does what she says. She means to give him a prince herself, so she doesn't want mine in his nursery." And the recently widowed Mary says to Cromwell,

"Do you know what I want? I want a husband who upsets them. I want to marry a man who frightens them."
There is a sudden light in her blue eyes. An idea has dawned....
Thomas Howard for an uncle? Thomas Boleyn for a father? The king, in time, for a brother?
"They'd kill you," he says.

Afterward, he reflects, "There are some men, possibly, who would be fascinated by a woman who had been a mistress to two kings, but he is not one of them." Still, he has to tell someone, so he tells Rafe Sadler, who says, "I think you imagined it." And he realizes, "To the Boleyns, other people are for using and discarding." He later "hears that Anne has taken the wardship of her sister's son, Henry Carey. He wonders if she intends to poison him. Or eat him."

5. "Wolf Hall," by Hilary Mantel, pp. 54-77

Part II, II, "An Occult History of Britain," 1521-1529, through "Or, with any good effect, to the woman they say he loves."

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So we go back a bit to bring things up to date. The chapter begins with a true occult history of Britain, about its founding by a Greek king's murderous 33 daughters who were exiled by him to the far-off island they called Albina, where they mated with demons and gave birth to giants that were overthrown by Brutus, the great-grandson of Aeneas, whose descendants ruled until the Romans came. And the Tudors were descended from Brutus through Constantine who was King Arthur's grandfather. And his descendant Prince Arthur was born in 1486, but died at 15, so his brother Henry (who would have been Archbishop of Canterbury if Arthur had lived) married his widow, Katherine of Aragon.

The true part is the troublesome part, especially after the appearance at court in 1521 of the 20-year-old daughter of Thomas Boleyn. Wolsey wanted her to marry into the Irish court, but she caught the eye of Harry Percy, heir to the Earl of Northumberland. Wolsey's plan is for Percy to marry Mary Talbot -- the Boleyns are comparative upstarts. Cromwell is in the shadows, taking notes, as Wolsey and Boleyn lock horns. Boleyn claims that Percy and Anne have already "pledged themselves before witnesses," and Wolsey orders him, "Marry the girl into Ireland before the Butlers hear any rumor that she's spoiled good. Not that I'd mention it. But the court does talk." And he adds, "notwithstanding your remarkable good fortune in marrying a Howard, the Boleyns were in trade once, were they not?" Boleyn stalks out, muttering "Butcher's boy" and, at Cromwell, "Butcher's dog."

But Cromwell knows something Wolsey doesn't, thanks to the gossip his wife has heard: "'The women judge from orders to the silk merchants that the king has a new--' He breaks off and says, 'My lord, what do you call a whore when she is a knight's daughter?'"  He means Mary Boleyn, Anne's sister, "a kind little blonde, who is said to have been passed all around the French court before coming home to this one, scattering goodwill, her frowning little sister trotting always at her heels." He also heard that Henry had lost his virginity to Boleyn's wife, which surprises Wolsey. And they mention the king's son by "John Blount's daughter," known as Henry Fitzroy, a ten-year-old whom the king has made Duke of Somerset and Duke of Richmond.

As Cromwell leaves Wolsey, "The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for 'Back off, our prince is fucking this man's daughter.' He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on."

We jump ahead to 1529 and to Cromwell and Cavendish in conversation at the cardinal sleeps. They recall how when she was parted from Harry Percy, who has married Mary Talbot, Anne Boleyn "said that if she could work my lord cardinal any displeasure, she would do it." And we review the rise of Anne and the efforts of Henry and Katherine to conceive that resulted only in a series of miscarriages and infant deaths with the exception of their "small but vigorous" daughter, Mary, born in 1516. The queen is now 42. "Under her gowns she wears the habit of a Franciscan nun. Try always, Wolsey says, to find out what people wear under their clothes." Cromwell compares Mary to his own daughter, Anne, who is two or three years younger than the princess: "Anne Cromwell is a tough little girl.... Mary Tudor is a pale, clever doll with fox-colored hair, who speaks with more gravity than the average bishop."

Wolsey has also advised Cromwell about serving the king: "If your chance comes to serve, you will have to take him as he is, a pleasure-loving prince. And he will have to take you as you are, which is rather like one of those square-shaped fighting dogs that low men tow about on ropes. Not that you are without a fitful charm, Tom."

The efforts to get Pope Clement to annul the marriage of Henry and Katherine was complicated by the pope's capture during the sack of Rome. Thomas More claims that the imperial troops in charge of the pope were "roasting live babies on spits," which elicits Cromwell's derision: "Listen, soldiers don't do that. They're too busy carrying away everything they can turn into ready money." It's a reaction that speaks of the difference between More, the protomartyr, and Cromwell, the practical man of business. And a paragraph follows that further elaborates on the difference between the medieval More and the modern Cromwell:

Under his clothes, it is well known, More wears a jerkin of horsehair. He beats himself with a small scourge, of the type used by some religious orders. What lodges in his mind, Thomas Cromwell's, is that somebody makes these instruments of daily torture.... Are simple villagers paid -- how, by the dozen? -- for making flails with waxed knots? Does it keep farmworkers busy during the slow winter months? When the money for their honest labor is put into their hands, do the makers think of the hands that will pick up the product? ... He thinks, also, that people ought to be found better jobs.

Meanwhile, Cromwell's own legal business thrives, "and he is able to lend money at interest, and arrange bigger loans, on the international market, taking a broker's fee." And this elicits a gibe from More: "Still serving your Hebrew God, I see.... I mean, your idol Usury." But Cromwell thinks himself lucky, with his thriving family.

But this, remember, is a scene from the past. When, as has been noted earlier, the plague has arrived. And, as noted still earlier, in the last chapter, when they arrived with the fallen cardinal at the grim house of exile, Cromwell reflected, somewhat surprisingly: "He doesn't need to think of going home; there's no home to go to, he's got no family left." So obviously the novel is about to tell us that something horrible has happened to the Cromwells.

3. "Wolf Hall," by Hilary Mantel, pp. 28-36

(Not quite ten pages today. I'm not used to books with short chapters -- I've been reading Proust, where the sentences are as long as chapters and the chapters are as long as books.) 

Part I, III: "At Austin Friars," 1527

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A domestic scene at the Cromwells', in which we meet Liz Cromwell, get news about their son, Gregory, and learn that Thomas has a small dog named Bella -- which was the name of the dog he left behind when he ran away from home.

Liz seems to be a source of information for Cromwell: She reports that a friend of hers, the wife of a master jeweler, knows about the ordering of a big emerald for a woman's ring. "It must be the king, so we think. Nobody else in London would be in the market for a stone of that size. So who's it for? It isn't for the queen." Cromwell reflects that the cardinal will tell him.

Gregory Cromwell is "coming up thirteen" and at Cambridge, but is not much of a scholar: "He likes to be in the woods and fields and he likes to hunt." They hope he will be tall, and there's a reference to the king's being six foot two and the cardinal being able to "look him in the eye. Henry likes to have about him men like his brother-in-law Charles Brandon, of a similar impressive height and breadth of padded shoulder."

In bed, Liz returns to the emerald. "I only ask because people say the king is wanting to do something very strange, and I can't really believe it. But that is the word in the city." Cromwell is surprised that the word has gotten out "in the fortnight while he has been north among the slope-heads." (He doesn't much care for Yorkshire, "which smelled of unwashed men, wearing sheepskins and sweating with anger.") Liz opines that "half the people in the world will be against" the king's divorcing Katherine. "He had only thought, and Wolsey had only thought, that the Emperor and Spain would be against it." Liz's point is that women will be against it.

We learn that Liz has been married before, and that she reads her prayer book although he encourages her to read Tyndale's translation of the New Testament, which they keep under lock and key -- "the pirated edition from Antwerp, which is easier to get hold of than the proper German printing." He is acquainted with William Tyndale, "a principled man, a hard man, and Thomas More calls him the Beast." He wants to ask More, "Why does everything you know, and everything you've learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more." He questions such Catholic doctrines as Purgatory as unbiblical, along with "relics, monks, nuns" and "Pope." But he agrees with the cardinal that "it would be better if Luther had never been born, or better if he had been more subtle." Wolsey's attitude toward heretics is that he "will burn books, but not men."

Liz's father was Henry Wykys, also from Putney, who recognized Cromwell as Walter's son, and says of Thomas, "by God, there was no one rougher than you when you were a boy." Cromwell had helped Wykys on  legal matter and then advised him on his business, the wool trade, taking him to Antwerp, where they met the three old men who crossed the channel with Cromwell when he ran away from home. When Cromwell helps make the business profitable, Wykys marries him to his widowed daughter.

At the end of the chapter, Cromwell "pats his wife, kisses his dog," and is off to work for the cardinal.

2. "Wolf Hall," by Hilary Mantel, pp. 14-27

Part I, II: "Paternity," 1527

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It is 27 years later, and Thomas Cromwell is now a secretary to Cardinal Wolsey, Lord Chancellor of England. Henry VIII is getting restless about not having a male heir and trying to find a way to end his marriage to Katherine of Aragon.

Cromwell is sensitive about his humble origins, which Stephen Gardiner twits him about in the opening of the chapter: "You must have done some river work, when you were a boy." Cromwell notes that Gardiner is "the king's unacknowledged cousin" and observes that "he resents his knowledge that if they met on a dark night, Master Thos. Cromwell would be the one who walked away dusting off his hands and smiling."

Wolsey is beautifully characterized as "like a leopard settling in a warm spot." While genial, he maintains his authority over Cromwell by joking that Cromwell "walks in demanding cherries in April and lettuce in December" and that "he goes about the countryside committing outrages, and charging them to the cardinal's accounts." Wolsey, too, is from lower-class origins: "the scholar son of a prosperous and pious master butcher, a guildman, a man who also kept a large and well-regulated inn, of the type used by the best travelers." He has sent Cromwell to Yorkshire on a matter of business, diverting the income from two monastic foundations into "the two colleges he is founding: Cardinal College, at Oxford, and a college in his hometown of Ipswich." Wolsey envisions the colleges as his memorial, "carrying into the world the cardinal's wit, his sense of wonder and of beauty, his instinct for decorum and pleasure, his finesse." Cromwell observes that Wolsey "cannot quite accept that real property cannot be changed into money with the same speed and ease with which he changes a wafer into the body of Christ."

We get our first reference to Thomas More here, and it's hardly as flattering as Robert Bolt's portrait in A Man for All Seasons. Wolsey is characterized as the type of person who, upon hearing of "some nest of heretics in the city" would be reluctant to use force against them, but would simply threaten that "Thomas More will get hold of them and shut them in his cellar. And all we will hear is the sound of screaming."

We have a little bit of exposition of what has happened with Cromwell in the intervening years: that he served in the French army, that he lived in Antwerp with a widow named Anselma, and that he married a woman named Liz with whom he has children.

And we have a glimpse of Henry VIII: "a man of some thirty-five years of age ... in good health and of a hearty appetite" who has his "bowels opened every day," whose "joints are supple" and whose "bones support" him, and who wants "to marry another lady. Any lady. Any well-connected princess whom he thinks might give him a son." (Not the best grammar there: "whom" should be "who.") The king's problem comes down to an interpretation of Scripture, which of course contradicts itself, Deuteronomy urging one to marry one's brother's widow, Leviticus forbidding it. And "the question of which takes priority was thrashed out in Rome, for a fat fee, by leading prelates, twenty years ago when the dispensations" -- i.e. for Henry to marry Katherine, his brother Arthur's widow -- "were issued, and delivered under a papal seal."

We learn that the cardinal has a son named Thomas Winter, and a daughter named Dorothea, who is a nun. Wolsey speculates on whether Cromwell has any illegitimate offspring himself "running around on the banks of the Thames." He points out that he was 15 when he ran away from home and reflects, "It amuses Wolsey that he doesn't know his age." It's a mark of class distinction between Wolsey, "the butcher's beef-fed son," and Cromwell, whose exact birthday is unknown. And Wolsey, knowing of the dislike Cromwell and Gardiner feel for each other, "knows quite well that, dissatisfied with their original parentage, they are fighting to be his favorite son."

Wolsey's proposal to send Gardiner to Rome to sound out the possibility of an annulment of the king's marriage reveals that Cromwell has also had the kind of experience in Rome that Wolsey hasn't: "He has never felt the chill at the nape of the neck that makes you look over your shoulder when, passing from the Tiber's golden light, you move into some great bloc of shadow. By some fallen column, by some chaster ruin, the thieves of integrity wait, some bishop's whore, some nephew-of-a-nephew, some monied seducer with furred breath; he feels, sometimes, fortunate to have escaped that city with his soul intact." Cromwell insists that if Gardiner goes, he take plenty of money to use as bribes.

If he succeeds, Wolsey says, he will marry Henry, "smartly, to a French princess." Cromwell knows that Wolsey has more than one princess in mind: "He never lives in a single reality, but in a shifting shadow-mesh of diplomatic possibilities." Wolsey's power is such that "He used to say, 'The king will do such and such.' Then he began to say, 'We will do such and such.' Now he says, 'This is what I will do.'"

There is a brief recapitulation of the arrangements that brought about Henry's marriage to Katherine when "he was eighteen, guileless" and when he recognized, "I have married a virgin since my poor brother did not touch her; I have married an alliance, her Spanish relatives; but, above all, I have married for love." All of which are part of the problem now.

Cromwell takes his leave of Wolsey, and we get a portrait of our protagonist from the author's point of view:

Thomas Cromwell is now a little over forty years old. He is a man of strong build, not tall. Various expressions are available to his face, and one is readable: an expression of stifled amusement. His hair is dark, heavy and waving, and his small eyes, which are of very strong sight, light up in conversation: so the Spanish ambassador will tell us, quite soon. It is said he knows by heart the entire New Testament in Latin, and so as a servant of the cardinal is apt -- ready with a text if abbots flounder. His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop's palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything. 

In short, a Renaissance man. Like Machiavelli.

As he heads for his town house, he meets up with Rafe Sadler, "a slight young man with pale eyes" who, the "Cast of Characters" tells us, is "Cromwell's chief clerk, brought up at Austin Friars." Sadler fills him in on the news while he has been away, and Cromwell starts to ask him something about the Duke of Norfolk, then changes his mind.

"Someone is screaming, down by the quays. The boatmen are singing. There is a faint, faraway splashing; perhaps they are drowning someone."

Just another day in Tudor London.