12. "Wolf Hall," by Hilary Mantel, pp. 202-222

Part III, II, "Entirely Beloved Cromwell," Spring-December 1530, concluded, from "When Cranmer comes to the house, he feeds him..."

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Cranmer visits Cromwell and they spend some time getting to know each other, although Cromwell thinks, "at some level of his being this man will always believe I am a heathen." Cranmer has been visiting universities, talking to theologians, most of whom, he says, believe "the king is right." But as Cromwell notes, the pope "isn't open to persuasion now. Only to pressure. And I don't mean moral pressure." Cranmer replies that the king must also persuade "all of Europe. All Christian men." To which Cromwell replies, "I'm afraid the Christian women may be harder still." Cranmer and Cromwell do see eye to eye on the difficulty of clerical celibacy -- Cranmer having to resign from the priesthood when he got a woman, whom he married, pregnant. He returned to the priesthood after she died in childbirth. Cromwell: "There are some strange cold people in this world. It is priests, I think. Saving your presence. Training themselves out of natural feeling." Cromwell "has Alice, and Johane and the child Jo, and in the corner of his eye, at the periphery of his vision, the little pale girl who spies on the Boleyns. He has hawks in his mews who move toward the sound of his voice. What has this man?"

He goes to see the king, who is restless because he can't hunt, so he talks with him while shooting arrows into a target. "He says, Nan threatens to leave me. She says that there are other men and she is wasting her youth."

Norfolk is obsessing on the problem of succession: "The old king bred, and by the help of Heaven he bred sons. But when Arthur died, there were swords sharpened in France, and they were sharpened to carve up the kingdom. Henry that is now, he was a child, nine years old. If the old king had not staggered on a few more years, the wars would have been to fight all over again. A child cannot hold England." When Cromwell mentions that there is Mary, Norfolk scoffs at the idea of a woman ruling England. Stephen Gardiner asks if Cromwell thinks she can rule, and he replies, "It depends who advises her. It depends who she marries." Norfolk and Suffolk both treat Cromwell as an outsider, a man of low birth.

Meanwhile, at Austin Friars, he discovers that Jo and Alice are having theological arguments about Purgatory. "Dear God, what is going on under this roof? These children believe the Pope can go down to the underworld with a bunch of keys." He reflects, "The Austin Friars is like the world in little."

In November, Wolsey is arrested by Harry Percy, Earl of Northumberland, and on the 29th he dies. "What was England before Wolsey? A little offshore island, poor and cold." From Cavendish, Cromwell learns that people "'asked God to send vengeance on Harry Percy.' God need not trouble, he thinks: I shall take it in hand." Cavendish also reports that Wolsey had not eaten for a week, and "he cried your name, God forgive me, I said you were on the road. He said, the ways are treacherous. I said, you know Cromwell, the devil does not delay him -- if he says he is on the road he will be here." Cavendish vows that he will tell no one at court about what Wolsey said in his last days.

At Hampton Court, Cromwell witnesses a vicious lampoon of Wolsey being dragged off to hell by devils. When Norfolk mocks the cardinal, "Someone calls, 'Shame on you, Thomas Howard, you'd have sold your own soul to see Wolsey down.'" No one knows who said this, but Cromwell thinks it was Thomas Wyatt. Backstage, he discovers that the devils were played by George Boleyn, Henry Norris, Francis Weston, and William Brereton, and that the cardinal was Sexton, who used to be the cardinal's fool.

11. "Wolf Hall," by Hilary Mantel, pp. 182-202

Part III, II, "Entirely Beloved Cromwell," Spring-December 1530, continued, from "When the king next calls him to court...." through "...Did he tell you about the barmaid?"

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Cromwell unexpectedly "spends an amiable hour with Brandon" who, after Cromwell suggests a remedy for the blindness of one of the king's hounds, pronounces him "a useful sort of man." He also confides that there is tension with his wife because of Anne Boleyn: Brandon's wife has always been a friend of Katherine's and as a former Queen of France, she resents that "Norfolk's niece" (Anne) will have precedence over her at court. He also wonders if he should tell Henry that Anne and Thomas Wyatt have been lovers. Cromwell advises him not to.

At Austin Friars the household now includes Thomas Avery, who is being trained to handle Cromwell's personal finances, and Thomas Wriothesley "pronounced Risley," whom Richard Cromwell and Rafe Sadler accuse of being a spy for Stephen Gardiner. Cromwell thinks about one of the young women at Anne Boleyn's: "He had meant to write to Gregory and say, I have seen such a sweet girl, I will find out who she is and, if I steer our family adroitly in the next few years, perhaps you can marry her."

Cromwell is invited to Thomas More's to discuss what is to happen with Wolsey's colleges -- and to see his roses and his new carpet. Stephen Gardiner is there. Cromwell meets More's large household, including his fool, Henry Pattinson: "normally you take in a fool to protect him, but in Pattinson's case it's the rest of the world needs protection." Cromwell displays his expertise in examining More's new carpet, and also displays some of his character: "There are some people in this world who like everything squared up and precise, and there are those who will allow some drift at the margins. He is both these kinds of person. He would not allow, for example, a careless ambiguity in a lease, but instinct tells him that sometimes a contract need not be drawn too tight." When More asks if he should walk on the carpet or hang it on the wall, Cromwell chooses the latter.

The dinner conversation at More's is in Latin, although More's wife doesn't speak it. Cromwell reflects on the difference between the family as painted by Holbein and the one he sees here: "The painter has grouped them so skillfully that there's no space between the figures for anyone new. The outsider can only soak himself into the scene, as an unintended blot or stain; certainly, he thinks, Gardiner is a blot or stain." He also thinks of Holbein's portrait of More, "you can see that he's thinking, but not what he's thinking, and that's the way it should be."

As he leaves, Alice More asks why Cromwell doesn't marry again: "Got a good house, haven't you? Got the king's ear, my husband says. And from what my sisters in the city say, got everything in good working order." He walks with Gardiner, who says "More goes to bed at nine o'clock." "With Alice?" Cromwell asks. "People say not." "You have spies in the house?" He gets no answer from Gardiner. When Gardiner talks about Cromwell's marrying again, "He feels afraid.... He is sure he and Johane have been secret." Johane Williamson, Liz's sister, and her husband live at Austin Friars. When he tells Gardiner that he is going to see Anne Boleyn, "Gardiner is affronted."

When he tells Anne that he has been to More's, she says, "They say that Thomas More is in love with his own daughter." He replies, "I think they may be right." He reflects that Anne's brother, George, and her father, Thomas, Earl of Wiltshire, have gotten rich because of Wolsey's fall. When he asks why she sent for him, Anne replies, "We like to know where you are." And when he asks why her father or brother didn't send for him in that case, she says, "They do not think you would come."

In the cardinal's move northward, he has been greeted with enthusiastic crowds, which upsets the Duke of Norfolk. "Rumors of the cardinal's popularity don't make him glad, they make him afraid." But Norfolk commends Cromwell for his loyalty to the cardinal and says, "It's a pity you don't work for me." Cromwell replies, "we all want the same thing. For your niece to be queen. Can we not work together?"

On the next visit to Anne, he sees that "something shadowy is bobbing about, on the fringes of the circle of light." It is Thomas Cranmer. "They embrace cautiously: Cambridge scholar, person from Putney."  Anne shows them a drawing she discovered in her bed: the king and two women, one of whom has no head. "Anne sans tête," she says. Cromwell wishes he could get Mary Boleyn out of all this. "She asked me once. I failed her. If she asked me again, I would fail her again."

On the way out with Cranmer, he meets the pale girl he had noticed before and learns that she is "John Seymour's daughter. From Wolf Hall." She is there to spy for her brothers. "Every rising family needs information. With the king considering himself a bachelor, any little girl can hold the key to the future, and not all the money is on Anne." He has a suspicion that she may have been the one who left the drawing in Anne's bed. As he leaves, Cranmer says, "You owe much to Anne Boleyn. More than perhaps you think. She has formed a good opinion of you. I'm not sure she cares to be your sister-in-law, mind..."

10. "Wolf Hall," by Hilary Mantel, pp. 163-182

Part III, II, "Entirely Beloved Cromwell," Spring-December 1530, through "...But they are all good stories."

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York Place is now Anne Boleyn's residence, and when he visits it he encounters the lute-player named Mark (i.e. Smeaton). As he enters the room where Anne and her sister and several other women are sitting, he is met by "a flurry of little dogs," and she is charmed because he seems to like them and they act "as if he were someone they had so much longed to meet." Anne, he notices is "so small. Her bones are so delicate, her waist so narrow; if two law students make one cardinal, two Annes make one Katherine." She seems to speak French better than English, and she pronounces Cromwell "Cremuel."

He asks her, "how much progress have you seen in your cause?" since Wolsey was ousted. She admits there has been none, and he tries to make a case for the cardinal, but with little evident effect. Mary Boleyn follows him out when he leaves, and he asks her about the rumor that Anne is pregnant. She says that she would know, and, "Besides, she can't, because they don't. They haven't." She assures him that Anne would tell her if they had been having sexual relations "out of spite!"

He then goes to Henry to plead for money so the cardinal can go to York. "At such moments, Henry expects you to fall to your knees -- duke, earl, commoner, light and heavy, old and young. He does it; scar tissue pulls; few of us, by our forties, are not carrying injuries." Henry admits, "Every day I miss the Cardinal of York," and grants him the money. But he commands him not to tell anyone, especially the Duke of Norfolk. He goes back to help the cardinal prepare for the journey north. "Wolsey gives him a package. Inside it is a small and hard object, a seal or ring." The cardinal tells him to open it when he's gone.

As the cardinal travels north, the Emperor's ambassador, Eustache Chapuys, comes to see Cromwell to say, "The Emperor, in defense of his aunt, may make war on England." The message, Cromwell knows, is meant for the cardinal. Rafe Sadler is entrusted with messages to the cardinal, who calls him "mine own entirely beloved Cromwell." Meanwhile, Henry is plotting to loot Wolsey's colleges of "their silver and gold plate, their libraries, their yearly revenues and the lande that produces the revenues." He tells Cromwell, "I could make good use of the money that flows yearly to Rome. King François is richer by far than I am. I do not have a tenth of his subjects. He taxes them as he pleases. For my part, I must call Parliament. If I do not, there are riots.... And riots if I do."

9. "Wolf Hall," by Hilary Mantel, pp. 133-162

Part III, I, "Three-Card Trick," Winter 1529-Spring 1530

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Cromwell has been given a seat in Parliament, courtesy of Thomas Howard: "'The Duke of Norfolk,' Rafe says, 'believes my lord cardinal has buried treasure, and he thinks you know where it is.'" The duke, "approaching sixty," is "Flint-faced and keen-eyed," "lean as a gnawed bone and as cold as an ax head." "He thinks the Bibile a book unnecessary for laypeople, though he understands priests make some use of it. He thinks book-reading an affectation altogether, and wishes there were less of it at court. His niece is always reading, Anne Boleyn, which is perhaps why she is unmarried at the age of twenty-eight."

Meanwhile, the cardinal is still at Esher, where Cromwell finds him listening to a boy named Mark who plays the lute. "I think I shouldn't keep him here," he tells Cromwell, "but send him to the king. Or to the Lady Anne, perhaps, as he is such a pretty young thing. Would she like him?" We don't find out here, but it's fairly obvious that this pretty young lute player is Mark Smeaton. Later, Cromwell overhears the lute player talking to someone about "the lawyer," i.e. Cromwell: "They say he has killed men with his own hands and never told it in confession. But those hard kinds of men, they always weep when they see the hangman." Mark also says that "Tom Wyatt has had her," meaning Anne Boleyn. The conversation is in Flemish, "language of Mark's birthplace," and Cromwell can't see the person he's talking to.

We learn that Cromwell's sister Kat and her husband, Morgan Williams, have also died, so at Austin Friars "they omit this year their usual songs and Christmas plays. No year has brought such devastation." Wolsey has been charged on numerous counts but it seems that "the king will allow the cardinal his life, and a measure of liberty; but whatever money is left him will be a fraction of his former income." Cromwell is now acting as father to Kat and Morgan's sons, Richard and Walter. Richard volunteers to change his name from Williams to Cromwell. He tells Richard that Henry VII "had an uncle, Jasper Tudor. Jasper had two bastard daughters, Joan and Helen. Helen was Gardiner's mother. Joan lmarried William ap Evan -- she was your grandmother." Richard is unimpressed. "'But if I am the king's cousin,' Richard pauses, 'and Stephen Gardiner's cousin ... what good can it do me? We're not at court and not likely to be.'" After Richard leaves, Cromwell "touches his throat, where the medal would have been, the holy medal that kat gave him; his fingers are surprised not to find it there. For the first time he understands why he took it off and slid it into the sea. It was so that no living hand could take it."

More, as Lord Chancellor, has signed off on all the accusations against Wolsey, including one of his own, that the cardinal breathed in the king's face and "since the cardinal has the French pox, he intended to infect our monarch." Cromwell thinks, "imagine living in the Lord Chancellor's head."

Cromwell goes to see the king just as he and his courtiers are going out to hunt. Henry asks him,

"You are not of Thomas More's opinion, are you?"

He waits. He cannot imagine what the king is going to say.

"La chasse. He thinks it barbaric."

"Oh, I see. No, Your Majesty, I favor any sport that's cheaper than battle...."
...
"You said, in the Parliament, some six years ago, that I could not afford a war.... You want a king who doesn't fight? You want me to huddle indoors like a sick girl!"

"That would be ideal, for fiscal purposes." 

Henry and Cromwell argue over the cost of war, but it's clear that although the king doesn't like Cromwell very much, he is impressed by him. And when Charles Brandon rides up and asks Cromwell, "'How's your fat priest?' The king flushes with displeasure. Brandon doesn't notice."

In the spring of 1530 Cromwell is invited to supper at the house of an Italian merchant, Antonio Bonvisi, and is surprised to find More there along with "Humphrey Monmouth, whom More once locked up, ... seated well away from the great man." When he sees Cromwell enter, More "falls silent halfway through a sentence; he casts his eyes down, and an opaque and stony look grows on his face." And the table conversation turns into a battle of wits between Cromwell and More. Bonvisi chides him afterward: "Thomas More is my old friend. You should not come here and bait him." But Cromwell is more interested in Bonvisi's confirming what he overheard about Thomas Wyatt's affair with Anne Boleyn. Finally, Richard (now) Cromwell and Rafe Sadler come to accompany Cromwell home, but not before Bonvisi gives him some parting advice: "Wherever you dine next, pray do not ... sit down with the Boleyns."

8. "Wolf Hall," by Hilary Mantel, pp. 116-130

Part II, II, "An Occult History of Britain," 1521-1529, concluded, from "New Year's 1529: Stephen Gardiner is in Rome...." Part II, III, "Make or Mar," All Hallows 1529.

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The illness of Pope Clement raises the possibility of Wolsey's becoming pope, which would solve both the king's problem and Wolsey's. But the pope recovers, and the "trial of the king's great matter" goes on. Wolsey seeks out witnesses to the marriage of Katherine and Arthur, hoping to prove that the marriage had been consummated, but the wedding took place 28 years ago and the potential witnesses are dead or doddering. Cromwell reflects "that he cannot imagine anyone, even a hasty fifteen-year-old, wanting to penetrate Katherine. It would be like copulation with a statue." In the end the court rules in Katherine's favor. "They all know the court will never sit again. They all know the cardinal has failed."

The plague returns with the summer, and Cromwell decides not to send his daughters to the country. "It's the wrong decision." Anne and Grace both die.

Wolsey's failure brings about his fall. "So now they swagger into York Place, the Duke of Suffolk, the Duke of Norfolk: the two great peers of the realm. Suffolk, his blond beard bristling, looks like a pig among truffles; a florid man, he remembers, turns my lord cardinal sick."

On All Hallows Day, 1529, Cromwell is overcome with grief for Liz, Anne and Grace, but also because he is certain that the fall of Wolsey means his fall, too.

7. "Wolf Hall," by Hilary Mantel, pp. 95-116

Part II, II, "An Occult History of Britain," 1521-1529, continued, from "1527: when the cardinal comes back from France..." through "... He wonders if she intends to poison him. Or eat him."

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The cardinal returns, having failed to end the king's marriage to Katherine, and learns that Henry has sent his own envoy to try to bring the divorce about. Everyone recognizes that the negotiations are doomed, even Henry, who as the younger son "was brought up and trained for the church, and for the highest offices within it," so he recognizes the problem. And both the cardinal and Cromwell begin to sense that Wolsey's power is beginning to decline.

In spring 1528, Cromwell and More meet in a scene that further emphasizes their differences. More "is genial, always genial; his shirt collar is grubby." He is also intensely set against Luther and in the scatological language More has used in his pamphlets against him, "No one has rendered the Latin tongue more obscene." More is also on the hunt for Tyndale, and Cromwell turns the tables on him by asking "Have you found sedition in Tyndale's writing?" which implies that More is familiar with them. Cromwell reflects that "More would have been a priest, but human flesh called to him with its inconvenient demands. He did not want to be a bad  priest, so he became a husband."

Meanwhile, Wolsey tips off Cromwell, in slyly indirect fashion, that a friend of Tyndale's, Humphrey Monmouth, is under suspicion. But "When Monmouth's house is raided, it is clear of all suspect writings. It's almost as if he was forewarned." Cromwell knows that "Monmouth himself would be a heap of ashes, if Thomas More had his way."

Cromwell's daughter Anne is "not like a flower, a nightingale; she's like ... like a merchant adventurer, he thinks." When the plague comes back in the summer, he sends her and Grace to the country. "This time the court is infected" and Anne Boleyn is also sent to the country, but falls ill, as does her father. They survive but Mary Boleyn's husband dies. Wolsey says to Cromwell, "I am praying for everybody.... Only when I say to the Lord, 'Now, about Thomas Cromwell--' does God say to me, 'Wolsey, what have I told you? Don't you know when to give up?'"

Cromwell learns that two Oxford scholars, Clerke and Sumner, who had been imprisoned for possessing Lutheran books, have died there, "in the college cellars, the deep cold cellars intended for storing fish. Even in that silent place, secret, icy, the summer plague sought them out. They died in the dark and without a priest." Wolsey is also distressed to learn of their deaths, but when Cromwell pleads for the release of another critic of the church, Father Bilney, to be released from the Tower, the cardinal is reluctant. "Heresy -- his brush with it -- is a little indulgence that the cardinal allows him."

One thing that Cromwell doesn't tell Wolsey about is Mary Boleyn's flirtation with him. He meets her one day and learns from her that the king has been writing love letters to Anne. He urges Mary to steal them for him. She also talks about her own son named Henry, and says that Anne forbade the king from acknowledging him, as he has done with his other illegitimate son. "He does what she says. She means to give him a prince herself, so she doesn't want mine in his nursery." And the recently widowed Mary says to Cromwell,

"Do you know what I want? I want a husband who upsets them. I want to marry a man who frightens them."
There is a sudden light in her blue eyes. An idea has dawned....
Thomas Howard for an uncle? Thomas Boleyn for a father? The king, in time, for a brother?
"They'd kill you," he says.

Afterward, he reflects, "There are some men, possibly, who would be fascinated by a woman who had been a mistress to two kings, but he is not one of them." Still, he has to tell someone, so he tells Rafe Sadler, who says, "I think you imagined it." And he realizes, "To the Boleyns, other people are for using and discarding." He later "hears that Anne has taken the wardship of her sister's son, Henry Carey. He wonders if she intends to poison him. Or eat him."

6. "Wolf Hall," by Hilary Mantel, pp. 77-95

Part II, II, "An Occult History of Britain," 1521-1529, continued, from "Now the cardinal's many bags are packed for France..." through "... A boatman whistled back from the river."

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The cardinal prepares to leave for France and negotiations on the king's divorce, and talks to Cromwell about the mythic and real origins of the Tudors. Before he leaves, the cardinal also talks about his enemies, and the stories that he has "a ring which enables its owner to fly, and allows him to encompass the death of his enemies. It detects poisons, renders ferocious beasts harmless, ensures the favor of princes, and protects against drowning." Wolsey says he wishes he knew which one it was, and if he did he'd have one copied for Cromwell. And Cromwell tells him,

"I picked up a snake once. In Italy."
"Why did you do that?"
"For a bet."
"Was it poisonous?"
"We didn't know. That was the point of the bet."
"Did it bite you?"
"Of course."
"Why of course?"
"It wouldn't be much of a story, would it? If I'd put it down unharmed, and away it slid?
Unwillingly, the cardinal laughs. "What will I do without you," he says, "among the double-tongued French?"

The horrible event in the Cromwell household occurs after the cardinal leaves for France: Liz Cromwell dies, apparently of the plague that has been spreading in the summer heat. The household is put in quarantine, and Cromwell spends a month at home, reading. One of his books is by Machiavelli. "Someone says to him, what is in your little book? and he says, a few aphorisms, a few truisms, nothing we didn't know before." But no one else in the household, including his daughter Anne and Grace, gets sick, and when the weather cools in September the family can reunite to mourn Liz.

He recalls his return to Putney, where he met his father again and he him he was studying to be a lawyer, which angered Walter Cromwell: "If it weren't for the so-called law, we would be lords." Which, Thomas thought, was "an interesting point to make. If you get to be a lord by fighting, shouting, being bigger, better, bolder and more shameless than the next man, Walter should be a lord." He also recalls running away to Lambeth, where his uncle John was a cook for Cardinal Morton. "One of the pages was pointed out to him: Master Thomas More, whom the archbishop himself says will be a great man, so deep his learning already and so pleasant his wit." (Once again, the "whom" in that sentence should be "who.") More, he is told, is fourteen, which may be twice his age -- which he still doesn't know. "At Lambeth he follows the stewards around and when they say a number he remembers it; so people say, if you haven't time to write it down, just tell John's nephew. He will cast an eye on a sack of whatever's been ordered in, then warn his uncle to check if it's short weight."

5. "Wolf Hall," by Hilary Mantel, pp. 54-77

Part II, II, "An Occult History of Britain," 1521-1529, through "Or, with any good effect, to the woman they say he loves."

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So we go back a bit to bring things up to date. The chapter begins with a true occult history of Britain, about its founding by a Greek king's murderous 33 daughters who were exiled by him to the far-off island they called Albina, where they mated with demons and gave birth to giants that were overthrown by Brutus, the great-grandson of Aeneas, whose descendants ruled until the Romans came. And the Tudors were descended from Brutus through Constantine who was King Arthur's grandfather. And his descendant Prince Arthur was born in 1486, but died at 15, so his brother Henry (who would have been Archbishop of Canterbury if Arthur had lived) married his widow, Katherine of Aragon.

The true part is the troublesome part, especially after the appearance at court in 1521 of the 20-year-old daughter of Thomas Boleyn. Wolsey wanted her to marry into the Irish court, but she caught the eye of Harry Percy, heir to the Earl of Northumberland. Wolsey's plan is for Percy to marry Mary Talbot -- the Boleyns are comparative upstarts. Cromwell is in the shadows, taking notes, as Wolsey and Boleyn lock horns. Boleyn claims that Percy and Anne have already "pledged themselves before witnesses," and Wolsey orders him, "Marry the girl into Ireland before the Butlers hear any rumor that she's spoiled good. Not that I'd mention it. But the court does talk." And he adds, "notwithstanding your remarkable good fortune in marrying a Howard, the Boleyns were in trade once, were they not?" Boleyn stalks out, muttering "Butcher's boy" and, at Cromwell, "Butcher's dog."

But Cromwell knows something Wolsey doesn't, thanks to the gossip his wife has heard: "'The women judge from orders to the silk merchants that the king has a new--' He breaks off and says, 'My lord, what do you call a whore when she is a knight's daughter?'"  He means Mary Boleyn, Anne's sister, "a kind little blonde, who is said to have been passed all around the French court before coming home to this one, scattering goodwill, her frowning little sister trotting always at her heels." He also heard that Henry had lost his virginity to Boleyn's wife, which surprises Wolsey. And they mention the king's son by "John Blount's daughter," known as Henry Fitzroy, a ten-year-old whom the king has made Duke of Somerset and Duke of Richmond.

As Cromwell leaves Wolsey, "The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for 'Back off, our prince is fucking this man's daughter.' He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on."

We jump ahead to 1529 and to Cromwell and Cavendish in conversation at the cardinal sleeps. They recall how when she was parted from Harry Percy, who has married Mary Talbot, Anne Boleyn "said that if she could work my lord cardinal any displeasure, she would do it." And we review the rise of Anne and the efforts of Henry and Katherine to conceive that resulted only in a series of miscarriages and infant deaths with the exception of their "small but vigorous" daughter, Mary, born in 1516. The queen is now 42. "Under her gowns she wears the habit of a Franciscan nun. Try always, Wolsey says, to find out what people wear under their clothes." Cromwell compares Mary to his own daughter, Anne, who is two or three years younger than the princess: "Anne Cromwell is a tough little girl.... Mary Tudor is a pale, clever doll with fox-colored hair, who speaks with more gravity than the average bishop."

Wolsey has also advised Cromwell about serving the king: "If your chance comes to serve, you will have to take him as he is, a pleasure-loving prince. And he will have to take you as you are, which is rather like one of those square-shaped fighting dogs that low men tow about on ropes. Not that you are without a fitful charm, Tom."

The efforts to get Pope Clement to annul the marriage of Henry and Katherine was complicated by the pope's capture during the sack of Rome. Thomas More claims that the imperial troops in charge of the pope were "roasting live babies on spits," which elicits Cromwell's derision: "Listen, soldiers don't do that. They're too busy carrying away everything they can turn into ready money." It's a reaction that speaks of the difference between More, the protomartyr, and Cromwell, the practical man of business. And a paragraph follows that further elaborates on the difference between the medieval More and the modern Cromwell:

Under his clothes, it is well known, More wears a jerkin of horsehair. He beats himself with a small scourge, of the type used by some religious orders. What lodges in his mind, Thomas Cromwell's, is that somebody makes these instruments of daily torture.... Are simple villagers paid -- how, by the dozen? -- for making flails with waxed knots? Does it keep farmworkers busy during the slow winter months? When the money for their honest labor is put into their hands, do the makers think of the hands that will pick up the product? ... He thinks, also, that people ought to be found better jobs.

Meanwhile, Cromwell's own legal business thrives, "and he is able to lend money at interest, and arrange bigger loans, on the international market, taking a broker's fee." And this elicits a gibe from More: "Still serving your Hebrew God, I see.... I mean, your idol Usury." But Cromwell thinks himself lucky, with his thriving family.

But this, remember, is a scene from the past. When, as has been noted earlier, the plague has arrived. And, as noted still earlier, in the last chapter, when they arrived with the fallen cardinal at the grim house of exile, Cromwell reflected, somewhat surprisingly: "He doesn't need to think of going home; there's no home to go to, he's got no family left." So obviously the novel is about to tell us that something horrible has happened to the Cromwells.

4. "Wolf Hall," by Hilary Mantel, pp. 39-53

Part II, I: "Visitation," 1529

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Cardinal Wolsey has been dismissed as Lord Chancellor and Cromwell and others are helping him move from York Place, which the king has taken over for Anne Boleyn, to an empty and unprepared house at Esher.

The ousting of Wolsey from York Place is overseen by the Dukes of Norfolk and Suffolk, although Cromwell is able to delay it with a few legal technicalities. When Suffolk, Charles Brandon, protests, Cromwell observes, "That's like Suffolk; to think the letter of the law is some kind of luxury." Wolsey hugs Cromwell, "his face gleeful," when he succeeds in putting off the move for a day, but "it is the last of their victories and they know it."

Also participating in the move are Sir William Gascoigne, the cardinal's treasurer, and George Cavendish, the cardinal's gentleman usher. For Cromwell, "This is an indecent spectacle: the man who has ruled England, reduced." Wolsey puts on a brave face: "Everything I have, I have from the king. The king gave it to me, and if it pleases him to take York Place fully furnished, I am sure we own other houses, we have other roofs to shelter under." Gascoigne, however, comes in with the rumor that Wolsey is to be taken to the Tower of London. Cromwell puts Gascoigne in his place, however, and announces that they're going to Esher. But he observes, "It's hard to escape the feeling that this is a play, and the cardinal is in it: the Cardinal and his Attendants. And that it is a tragedy."

As they get in the boat to go upriver, "and not downstream to the Tower," the "hooting and booing" crowd that is watching Wolsey's disgrace protests. "It is then that the cardinal collapses, falling into his seat.... 'The multitude,' Cavendish says, 'is always desirous of a change. They never see a great man set up but they must pull him down -- for the novelty of the thing.'" But when Cavendish speaks disrespectfully of the king, Wolsey calls him "The gentlest, wisest prince in Christendom" and says he "will not hear a word against him from any man."

The cardinal is so fat that he has trouble mounting the mule he has always ridden, inspiring some jokes from his fool Patch, or Master Sexton, whom Cromwell dislikes. A rider approaches. It is Sir Henry Norris, one of the king's friends, who brings the cardinal a ring from the king. The cardinal falls to the ground and kisses the ring, then begins to cry. Cavendish is scandalized when the cardinal takes the chain from his neck and puts it around Norris's neck because it's a reliquary, "a piece of the true Cross," but Cromwell says he knows someone in Pisa who makes them: "a round dozen for cash up front," further scandalizing Cavendish.

Cromwell feels "an irrational dislike" for Norris, "and he tries to dismiss it, because he prefers his dislikes rational." But he's distressed by seeing the cardinal on the ground in the mud, by "Wolsey's unraveling, in a great unweaving of scarlet thread that might lead you back into a secret labyrinth, with a dying monster at its heart." And then there's a scene in which Patch protests because the cardinal decides to send him to the king as a gift.

They arrive at the cardinal's palace at Esher to find it in utter disrepair. And after they get the cardinal into a "bed worthy of the name," Cavendish and Cromwell talk about who will succeed Wolsey as Lord Chancellor. Wareham, the Archbishop of Canterbury, is too old. And Cromwell decides it won't be the Duke of Suffolk -- "in his view Charles Brandon is no brighter than Christopher the mule, though better at fighting and fashion and generally showing off" -- because "the Duke of Norfolk won't have him." He decides it will be Thomas More, despite his opposition to the king's divorce: "The king is known for putting out his conscience to high bidders. Perhaps he hopes to be saved from himself."

3. "Wolf Hall," by Hilary Mantel, pp. 28-36

(Not quite ten pages today. I'm not used to books with short chapters -- I've been reading Proust, where the sentences are as long as chapters and the chapters are as long as books.) 

Part I, III: "At Austin Friars," 1527

_____

A domestic scene at the Cromwells', in which we meet Liz Cromwell, get news about their son, Gregory, and learn that Thomas has a small dog named Bella -- which was the name of the dog he left behind when he ran away from home.

Liz seems to be a source of information for Cromwell: She reports that a friend of hers, the wife of a master jeweler, knows about the ordering of a big emerald for a woman's ring. "It must be the king, so we think. Nobody else in London would be in the market for a stone of that size. So who's it for? It isn't for the queen." Cromwell reflects that the cardinal will tell him.

Gregory Cromwell is "coming up thirteen" and at Cambridge, but is not much of a scholar: "He likes to be in the woods and fields and he likes to hunt." They hope he will be tall, and there's a reference to the king's being six foot two and the cardinal being able to "look him in the eye. Henry likes to have about him men like his brother-in-law Charles Brandon, of a similar impressive height and breadth of padded shoulder."

In bed, Liz returns to the emerald. "I only ask because people say the king is wanting to do something very strange, and I can't really believe it. But that is the word in the city." Cromwell is surprised that the word has gotten out "in the fortnight while he has been north among the slope-heads." (He doesn't much care for Yorkshire, "which smelled of unwashed men, wearing sheepskins and sweating with anger.") Liz opines that "half the people in the world will be against" the king's divorcing Katherine. "He had only thought, and Wolsey had only thought, that the Emperor and Spain would be against it." Liz's point is that women will be against it.

We learn that Liz has been married before, and that she reads her prayer book although he encourages her to read Tyndale's translation of the New Testament, which they keep under lock and key -- "the pirated edition from Antwerp, which is easier to get hold of than the proper German printing." He is acquainted with William Tyndale, "a principled man, a hard man, and Thomas More calls him the Beast." He wants to ask More, "Why does everything you know, and everything you've learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more." He questions such Catholic doctrines as Purgatory as unbiblical, along with "relics, monks, nuns" and "Pope." But he agrees with the cardinal that "it would be better if Luther had never been born, or better if he had been more subtle." Wolsey's attitude toward heretics is that he "will burn books, but not men."

Liz's father was Henry Wykys, also from Putney, who recognized Cromwell as Walter's son, and says of Thomas, "by God, there was no one rougher than you when you were a boy." Cromwell had helped Wykys on  legal matter and then advised him on his business, the wool trade, taking him to Antwerp, where they met the three old men who crossed the channel with Cromwell when he ran away from home. When Cromwell helps make the business profitable, Wykys marries him to his widowed daughter.

At the end of the chapter, Cromwell "pats his wife, kisses his dog," and is off to work for the cardinal.

2. "Wolf Hall," by Hilary Mantel, pp. 14-27

Part I, II: "Paternity," 1527

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It is 27 years later, and Thomas Cromwell is now a secretary to Cardinal Wolsey, Lord Chancellor of England. Henry VIII is getting restless about not having a male heir and trying to find a way to end his marriage to Katherine of Aragon.

Cromwell is sensitive about his humble origins, which Stephen Gardiner twits him about in the opening of the chapter: "You must have done some river work, when you were a boy." Cromwell notes that Gardiner is "the king's unacknowledged cousin" and observes that "he resents his knowledge that if they met on a dark night, Master Thos. Cromwell would be the one who walked away dusting off his hands and smiling."

Wolsey is beautifully characterized as "like a leopard settling in a warm spot." While genial, he maintains his authority over Cromwell by joking that Cromwell "walks in demanding cherries in April and lettuce in December" and that "he goes about the countryside committing outrages, and charging them to the cardinal's accounts." Wolsey, too, is from lower-class origins: "the scholar son of a prosperous and pious master butcher, a guildman, a man who also kept a large and well-regulated inn, of the type used by the best travelers." He has sent Cromwell to Yorkshire on a matter of business, diverting the income from two monastic foundations into "the two colleges he is founding: Cardinal College, at Oxford, and a college in his hometown of Ipswich." Wolsey envisions the colleges as his memorial, "carrying into the world the cardinal's wit, his sense of wonder and of beauty, his instinct for decorum and pleasure, his finesse." Cromwell observes that Wolsey "cannot quite accept that real property cannot be changed into money with the same speed and ease with which he changes a wafer into the body of Christ."

We get our first reference to Thomas More here, and it's hardly as flattering as Robert Bolt's portrait in A Man for All Seasons. Wolsey is characterized as the type of person who, upon hearing of "some nest of heretics in the city" would be reluctant to use force against them, but would simply threaten that "Thomas More will get hold of them and shut them in his cellar. And all we will hear is the sound of screaming."

We have a little bit of exposition of what has happened with Cromwell in the intervening years: that he served in the French army, that he lived in Antwerp with a widow named Anselma, and that he married a woman named Liz with whom he has children.

And we have a glimpse of Henry VIII: "a man of some thirty-five years of age ... in good health and of a hearty appetite" who has his "bowels opened every day," whose "joints are supple" and whose "bones support" him, and who wants "to marry another lady. Any lady. Any well-connected princess whom he thinks might give him a son." (Not the best grammar there: "whom" should be "who.") The king's problem comes down to an interpretation of Scripture, which of course contradicts itself, Deuteronomy urging one to marry one's brother's widow, Leviticus forbidding it. And "the question of which takes priority was thrashed out in Rome, for a fat fee, by leading prelates, twenty years ago when the dispensations" -- i.e. for Henry to marry Katherine, his brother Arthur's widow -- "were issued, and delivered under a papal seal."

We learn that the cardinal has a son named Thomas Winter, and a daughter named Dorothea, who is a nun. Wolsey speculates on whether Cromwell has any illegitimate offspring himself "running around on the banks of the Thames." He points out that he was 15 when he ran away from home and reflects, "It amuses Wolsey that he doesn't know his age." It's a mark of class distinction between Wolsey, "the butcher's beef-fed son," and Cromwell, whose exact birthday is unknown. And Wolsey, knowing of the dislike Cromwell and Gardiner feel for each other, "knows quite well that, dissatisfied with their original parentage, they are fighting to be his favorite son."

Wolsey's proposal to send Gardiner to Rome to sound out the possibility of an annulment of the king's marriage reveals that Cromwell has also had the kind of experience in Rome that Wolsey hasn't: "He has never felt the chill at the nape of the neck that makes you look over your shoulder when, passing from the Tiber's golden light, you move into some great bloc of shadow. By some fallen column, by some chaster ruin, the thieves of integrity wait, some bishop's whore, some nephew-of-a-nephew, some monied seducer with furred breath; he feels, sometimes, fortunate to have escaped that city with his soul intact." Cromwell insists that if Gardiner goes, he take plenty of money to use as bribes.

If he succeeds, Wolsey says, he will marry Henry, "smartly, to a French princess." Cromwell knows that Wolsey has more than one princess in mind: "He never lives in a single reality, but in a shifting shadow-mesh of diplomatic possibilities." Wolsey's power is such that "He used to say, 'The king will do such and such.' Then he began to say, 'We will do such and such.' Now he says, 'This is what I will do.'"

There is a brief recapitulation of the arrangements that brought about Henry's marriage to Katherine when "he was eighteen, guileless" and when he recognized, "I have married a virgin since my poor brother did not touch her; I have married an alliance, her Spanish relatives; but, above all, I have married for love." All of which are part of the problem now.

Cromwell takes his leave of Wolsey, and we get a portrait of our protagonist from the author's point of view:

Thomas Cromwell is now a little over forty years old. He is a man of strong build, not tall. Various expressions are available to his face, and one is readable: an expression of stifled amusement. His hair is dark, heavy and waving, and his small eyes, which are of very strong sight, light up in conversation: so the Spanish ambassador will tell us, quite soon. It is said he knows by heart the entire New Testament in Latin, and so as a servant of the cardinal is apt -- ready with a text if abbots flounder. His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop's palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything. 

In short, a Renaissance man. Like Machiavelli.

As he heads for his town house, he meets up with Rafe Sadler, "a slight young man with pale eyes" who, the "Cast of Characters" tells us, is "Cromwell's chief clerk, brought up at Austin Friars." Sadler fills him in on the news while he has been away, and Cromwell starts to ask him something about the Duke of Norfolk, then changes his mind.

"Someone is screaming, down by the quays. The boatmen are singing. There is a faint, faraway splashing; perhaps they are drowning someone."

Just another day in Tudor London.