17. Mason & Dixon, by Thomas Pynchon, pp. 525-553

Two: America; 54-55

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The narrative abruptly shifts to first person, as our abductee tells us that one evening she was "taken to a Chamber, and there laced into an expensive Corset," her face was "painted ... into a wanton Sister of itself,"... and she was given "undergarments ... that might, Blondelle assur'd me, make a French whore think twice." She is to be taken to "the Chinaman."

If this sounds like porn, it is. Tenebrae "has discover'd the sinister Volume in 'Thelmer's Room, lying open to a Copper-plate Engraving of two pretty Nuns, sporting in ways she finds inexplicably intriguing." Ethelmer claims the book, which is "the next in the Ghastly Fop series," is "something of Cousin DePugh's." She wonders that "a young University Gentleman should find Affection between Women at all a topic of interest." He gives her a synopsis of the series featuring the Ghastly Fop, who to some "seems quite conventionally alive, whilst others swear he is a Ghost.... The Series runs to at least a Dozen Volumes by now, tho' no one is sure exactly how many, -- forgeries have also found their way into the Market." Ethelmer tells Tenebrae that he has read as far as "where she meets the Chinese Boy, and they plan their Escape." He says he will read the next chapter to her. "And so off they minuet, to become detour'd from the Revd's narrative Turnpike onto the pleasant Track of their own mutual Fascinations, by way of the Captive's Tale." 

The tale resumes with the captive's account of a dream, and then shifts to third person as the Wolf of Jesus realizes that the "Chinaman," Zhang, whom he has paired with the captive is fluent in Spanish. Moreover, Zhang is now preparing to escape from the Jesuits and the captive "understands when he will leave, and in the instant decides to go with him." She disguises herself as a boy, and they make their escape. He has with him a "miraculous Luo-Pan," a magnetic compass used in feng shui. They make their way to the home of Sir William Johnson, who recognizes Zhang after he "presents him a curious sort of Metallick Plate" and they "exchange a complicated Hand-shake." She reveals herself to be Eliza Fields of Conestoga.

Ethelmer proposes to skip a page of erotic stuff about Eliza and Zhang, but Tenebrae has already read ahead. Eliza and Zhang journey on, and at this point the fiction of the Ghastly Fop joins up with the narrative of the Mason-Dixon expedition: "they arrive at the West Line, and decide to follow the Visto [the line blazed by the axmen] east, and ere long they have come up with the Party." Zhang asks if she plans to return to her husband. "'Either to the Jesuits, or to him? -- That's my full list of Choices? ...' She twirls her Nose in the air, and departs."

Eliza bunks with one of the camp-followers, Zsuzsa Szabó, who does a show involving "Accordion musick, Dog tricks and Gypsy Dancing" with a machine that recreates the Battle of Leuthen. The surveyors meet Eliza in the tent, Dixon quite taken with the "Deerskin Costume" that she wears, and Mason stunned to discover in her a likeness, indeed a "Point-for-Point Representation," of his late wife. Both Mason and Eliza consult the chaplain of the party, which is Cherrycoke, who "speculates that the Resemblance so confounding Mason is less likely the Transmigration of a Soul, than the Resurrection of a Body, -- enough of its Particulars to convince him 'tis she." Mason is tormented by dreams of Rebekah, and one day concludes that since Eliza's hair has grown back in, she no longer looks like her that much.  Eliza tells him that she and Zsuzsa have decided "to go off and be Adventuresses," and if he passes near Conestoga to listen for the sounds of merriment that will reveal how much her husband, Seth, misses her.

Zhang, meanwhile, is criticizing the survey itself: "Terrible Feng-Shui here. Worst I ever saw. You two crazy?" He means that the straight line, the Visto, "acts as a Conduit for what we call Sha, or, as they say in Spanish California, Bad Energy. -- Imagine a Wind, a truly ill wind, bringing failure, poverty, disgrace, betrayal, -- every kind of bad luck there is, -- all blowing through, night and day, with many times the force of the worst storm you were ever in." Boundaries, he says, should "follow Nature, -- coast-lines, ridge-tops, river-banks, -- so honoring the Dragon or Shan within, from which Land-Scape ever takes its form." He is surprised that a people so given to religion as the settlers in America should allow it.

He tells them of his enemy, the Wolf of Jesus, Father Zarpazo, who is "sworn to destroy all who seek God without passing through the toll-gate of Jesus." Under his direction, they have particularly targeted practitioners of feng shui. Dixon is fascinated by Zhang's luopan, recognizing a fellow "Needle man." When he mentions that Mason is frustrated by the fact that the compass "never points to what he calls True North," Zhang says that Zarpazo is too. "The Impurity of this Earth keeps him driven in a holy Rage, -- Which is why he wants this Visto." He explains that the Visto will draw Zarpazo to it because "Purity of Azimuth is his Passion."

Dixon is puzzled that Zhang should be so opposed to their mission, but he reassures him that "my business is with the Jesuit. We happen to be the principal Personae here, not you two! Nor has your Line any Primacy in this, being rather a Stage-Setting, dark and fearful as the Battlements of Elsinore, for the struggle Zarpazo and I must enact upon the very mortal Edge of this great Torrent of Sha." But so obsessed is Zhang with the struggle against Zarpazo that he has become paranoid, convinced that Zarpazo, "a master of disguise, ... has actually penetrated the Camp, and only waits his moment to administer that poison'd Stiletto preferr'd by a Jesuit confronting Error." His suspicions also include Dixon because "'Tis widely assum'd that you are here on behalf of the Jesuit Le Maire." The Jesuits, he claims, want to "tap into the unremitting torrent of Sha roaring all night and all day, and convert it to their own uses."

Mr. Everybeet, the mineralogist, notes that "west of here, in the Hills 'round Cheat and Monongahela, are secret Lead Mines, which the Indians guard jealously." And that "who controls Lead controls the supply of Ammunition."

Mason and Dixon conclude that Zhang is "a few Links short of a Chain," especially when he begins transforming himself into the image of his adversary, Zarpazo. He wears black robes and begins to grow a small beard, and "Spanish phrases increasingly creep into his Conversation." Mason suggests that there might be trouble if Zhang's presence attracts Zarpazo and that Dixon is the only one who can get rid of him: "He already thinks you're a Jesuit Agent. All you have to do is advise him to stay, and he'll do the opposite." But Zhang claims to have an amulet against the Jesuit that will protect the expedition: "a dark Red sphere about the size of a Cherry" that he claims is a cyst that once grew in the brain of a cobra. "Therefore fear not the Advent of the Wolf, for here is the soul of the Cobra, yet living, yet potent." When Zhang displays it, "'I'll buy one!' Dixon cries. Mason looks upward, patiently."

14. Mason & Dixon, by Thomas Pynchon, pp. 422-459

Two: America; 42-46

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Unfortunately, the gambling didn't go well for Mason. Not only did he lose twenty pounds, but he also suffered the indignity of seeing Lord Lepton, "this runny-nos'd, titl'd Savage, tossing their Expeditionary Funds as airy Gratuities to the Slaves." Dixon proposes that they "take something worth twenty pounds" and decides on "a giant Bathing-tub with Feet, Bear Feet in fact, cast at the Lepton Foundry from local Iron." When Mason protests that the thing must weigh half a ton, Dixon reveals that "William Emerson taught things no one else in England knows. Secret techniques of mechanickal Art, rescued from the Library at Alexandria, circa 390 A.D." And to Mason's astonishment, "Dixon seems scarcely to touch the pond'rous Fixture" before one end levitates and the tub is standing "precariously balanced upon a sort of lip or Flange at its other end."

Dixon leaves Mason with the tub while he goes to "reconnoitre," but  soon Mason hears Dixon talking to Lady Lepton in the corridor. "Sighs. Fabric tearing. A merry Squeal." And then music, Handel's "O Ruddier than the Cherry," issuing from "the infamous Musickal Bodice, devis'd by an instrument-maker of London, wherein Quills sewn into its fastening, when this is pull'd apart," play a tune. Mason stands there fuming with the tub while Dixon and the Lady proceed with their dalliance.

But soon someone else appears, fascinated by the tub, which he says is a "quite astonishing Magnet" and "damn' nearly Earth's third Pole." He introduces himself as "Professor Voam, Philosophical Operator, just at present scampering from the King's Authorities." Voam is in possession of a "Torpedo" -- an electric eel, which electrocuted a man in Philadelphia who disregarded warnings not to touch it. Mason is irritated when Voam recognizes him as one of "The Astronomers! Dixon and Mason!" He tries to correct the order of billing, but Voam talks on, pointing out that the tub would be "just the Article to keep Felípe in," Felípe being the Torpedo.

Dixon returns, "emerging coprophagously a-grin from some false Panel in a Wall," and the three of them exit with the tub. In a corridor, Mason is confronted by the slave woman whom Dixon encountered the night before. He recognizes her, but can't believe his eyes. She tells him she was abducted by Malays and sold to the Jesuits, who sent her to a nunnery. "Whence, after my Novitiate, kind Captain D. and I came to our Rapprochement." He admits that he knows who she is -- although the name Austra is not yet mentioned -- but she disappears around a corner.

They enter a room where they find a rifle suspended over the fireplace, and where Wade LeSpark has been resting on a couch. They talk about the rifle, which has an inverted silver five-pointed star on its stock that Mason has seen before, in Lancaster, "upon the Sign of the Dutch Rifle," a tavern. Dixon says they could have taken the rifle instead of the tub, but Mason protests that the silver pentacle means the rifle is cursed. And LeSpark counsels that "taking the Rifle will be far more dangerous, than taking the Tub."

Finally they get the tub outside "where they transfer Tub and Torpedo to a Conestoga Waggon but lately unloaded, with fresh Horses hitch'd up." Only then does Mason ask Dixon, "Did it seem like Austra to you?" And they agree that it couldn't have been. And Voam begins to tell them about the Torpedo, which he says is not an eel but a ray or a skate, native to Surinam, and is also known as "El Peligroso." The professor has been doing a traveling show with the Torpedo, and when they stop at an inn for one, he quickly attracts an audience. He demonstrates the eel's electrical powers by lighting a cigar from the giant spark it produces, but it has a peculiar effect on Mason, who looks directly into the spark and sees "at the heart of the Electrick Fire, beyond color, beyond even Shape, an Aperture into another Dispensation of Space, yea and Time, than what Astronomers and Surveyors are us'd to working with.... Throughout, the Creature in the Tank regarded me with a personal stare, as of a Stranger claiming to know me from some distant, no longer accessible Shore."

Abandoning the Tub, the Professor builds a larger circular Tank, and mounts it upon wheels, so that daily it may be situated directly upon the Line. Felípe then slowly rotates until his head is pointing north. Presently, he has become the camp Compass, as often consulted as the Thermometer or the Clock.

At the end of February they are in Newark when word comes that Maskelyne has been made Astronomer Royal. Mason tries to put on a good face at the news, though for Dixon, "Mason attempting to be chirpy is less easy to bear than Mason in blackest Melancholy." He soon admits that Maskelyne "is unworthy, damn him! to succeed James Bradley." Mason's own aspirations for the post become obvious, and Dixon suggests, "Were I thee, I should make him feel guilty ev'ry change I got. Perhaps he doubts his own Worthiness." Which amuses Mason: "Why bless me, Sir, -- you are a Jesuit, after all. Sinister Alfonso, move aside, -- sheathe that Stiletto, wicked Giuseppe, -- here is the true Italian Art."

In April they begin the West Line and bid farewell to the Harland farm that has been their base of operations. Before they leave, they encounter a stranger named Jonas Everybeet who is fascinated by "the chunk of Rose Quartz where cross the Latitude of the south Edge of Philadelphia, and the Longitude of the Post Mark'd West, -- the single Point to which all work upon the West Line (and its eastward Protraction to the Delaware Short) will finally refer." Everybeet gazes into the crystal and when Mason looks into it he sees a face with "Huge, dark Eyes." Everybeet joins the party as a specialist in magnetic fields, anomalies in which he can discover.

Mason and Dixon are also dogged by a "Body-jobber" named O'Rooty, who specializes in finding workers for the crew, including some Swedish axmen, and a "'Developer,' or Projector of Land-Schemes," whom Dixon suggests they kill. The first day of surveying the West Line is April 5, and in less than a week they have found that the line runs through the house of a Rhys Price, who is away but whose wife has them survey right through the house while she marks the boundary between Pennsylvania and Maryland within it. When her husband shows up, she announces to him that they were married in Pennsylvania, "So from now on, when I am upon this side of the House, I am in Maryland, legally not ;your wife, and no longer subject to your Authority." Advised that he will have to pay taxes to both Pennsylvania and Maryland, Price decides to put; the house on rollers and move it into one state or the other. And since Maryland is downhill and they will no longer be married there, he chooses Maryland.

Now the mechanical duck makes a return, showing up when Mason makes a disparaging remark about it as a "French toy." The duck steals his hat and is persuaded to return it only when Allègre, who seems to have joined the expedition, persuades it. We also have a glimpse of the crew, including Moses Barnes, the overseer of the axmen, and Nathanael McClean, a handsome young man working during his summer break from college in Williamsburg.